‘I see’ ‘with my voice’ — Alice Notley, from The Decent of Alette
our learning is from the news
a nurtured condition
⁄ it is eclipse season
shadows are light ⁄
our call is to imagine, to conceive
defend against performance-enhancing speculations
visionary blight
= fragmentations
our hands worn from self-caress
please see management
it takes a lot of energy to kill a god
Δ long division
“with the evolution of awareness came the possibility that existence could be more than survival, or that survival could be more than a response to fear, and could include the encompassing of joy” — Jeremy Wolff, excerpt from the essay Thots on Pot
Northern Plains’ cottonwoods spread their seeds this time of year
thick as snow their white progeny coat lawns and 4×4 pickup trucks
a soft blizzard similar to the way Saharan dust reached Texas this week
both are dramatic
all that settling
(it’s probably nothing)
this feeling of apocalypse came on swift
like gaslighting
like wildfire
like bad news
when adoration and permissions share the same open mouth of devotion
it is recommended that you consult your prophesies to justify blanket explanations
transpose unknowing into thoughts and prayers
a crash disrupts into eventual silence
“But your pleasure understands mine.”
— Clarice Lispector, The Sharing Of Loaves
at 39,000 feet clouds rose like mountains
fading to dark as the blushing sun set
then black as the thinnest winter ice
we learned to turn our wheels into those slick black icy slides
when done correctly, such surrendering was active evidence of a survivor’s effort
in spring, we planted rosemary to remember our deepest buried beliefs
we harvested fresh-picked bundles and revised our most shadowed secrets
like wanting nothing but distant empty horizons and bodies that do not betray
we sculpted altered thoughts and declared them working dreams
trusting that our shared wishes for a braver future were coming true
we gathered sacred
Tell me, what’s the joy of giving if you’re never pleased?
— Blood Orange, Champagne Coast
the sun rises at eastern edges
yellowing twilight blues
when there is nothing
rest
if there were Christmas stockings
we always had an orange
persistence can feel joyful
is there another choice
we can be called to lead
or follow
how does that feel
really
“There are dead stars that still shine because their light is trapped in time.
Where do I stand in this light, which does not strictly exist?”
— Don Delillo, Cosmopolis
the light, not yet warm, opens our days
we commit to memory that hope is best performed as a cognitive process
and remember: stars align themselves through proximity and gravitational pull
collapsing distances to violent midwinter visions
questions seep: how did I not know I was in danger
violations stacked delicate // soft brushes with unwanted space
this tail of the past curls comfortably around itself
scared animals return home, even if home is unsafe
as time sinks into litanies simple as joy is serious
our narrative clearly has a beginning, middle, and an end
because our holy bodies are sites of quantum consciousness
we swagger in possibility, we pull intuitive threads to unravel
“The sun and the moon call out, as it were, and the oceans call back. The oceans aren’t passive listeners but partners in an energetic conversation – resonance – that ultimately accentuates or diminishes the tide.” — Jonathan White, Tides: The Science and Spirit of the Ocean
“She’s keeping time with a mystery rhyme.” — Jesus and Mary Chain
I am still learning how to perform quick good-byes.
Never witness to a proper and graceful exit
during my formative years (too young to protest)
we were more often forced to be unreliable hostages.
My history is threaded into core tensions
twisted thick as exploiting hospitality
and deep as ignoring consent. We would wait
silently at the host’s kitchen table in our winter coats
hoping with the start of a new story
that time would naturally come to an end.
Those years I learned how to be quiet
enough
holding my breath into
darkness.
I want to crack open, carefully
pull out ghosts and obsolete angels
examine where sweetness gathers as illicit responses
and rush into and out of why feeling loved is dangerous.
Private as thoughts
temporary as shorelines.
“you might as well answer the door, my child, the truth is knocking.” — Lucille Clifton
the hand’s sensitive intelligence
a found erotic reference
dangerous as a nation divided
beggars and thieves and other
whispering cacophonous choruses
our fears spill into codes
a new kind of Reconstruction
stumbling into mosaic beauty
he said the issue is not opportunity
while we stay flat footed, even in heels
summer jackets hide shame
in that way, it is easy
what is beneath the surface begs
it howls
remaining grounded has a sinister side
backlash by way of prophetic referent
[such a sky and such a sun
i never knew and neither did you
and everybody never breathed
quite so many kinds of yes]
— E.E. Cummings
We’ve come undone, cumulatively, in the same way that Rachel Carson’s Silent Spring warns. Ruled by misunderstandings, which is to say we are ruled by no one in particular, norms are large-scale projects of self-consciousness. It’s public infrastructure.
The ocean goes nowhere except to meet itself.
A private sensation, a mix of urging and friction.
Days bleed into opinion. It is not enough to simply be.
All this pressure to perform as heaven’s rewards remain on layaway.
I want to be inside that pejorative energy. Transposed survival.
Cut. Then paste. Seasons as witness to predictions that light seeks light.
Christmas fell on a Sunday, as ordinary as on a Tuesday.
Wants were absence so we honored each other’s realizations.
A modern birth narrative.
Liturgy presupposes witness as its baseline function.
Transitions have made you partisan.
Dancing as walking.
Sidewalks are walls.
Stoplights are lamps.
Eating as warfare.
Bombs are poems.
We find comfort in staying warm and undefeated.
each day unwinds into itself
each one of us an appetite
expansion releases
preferences: wild
context is so specific
his throat tatooed punk
another directed his gaze
I gave him what he wanted
performative resistance as lifestyle
The earth shook itself awake this morning.
With a low-key grumble and heavy embodied motion
our unnested Russian cat dolls fell, one by one.
The unnerved mountains had no comment.
We took a collective breath as clouds lined up like teeth
and moved gently to memorialize our survival.
As witness to the sublime, we occupied time.
Santayana, the philosopher, said history is nothing but recorded dreams.
The poet Stafford said divine is more of a claim.
Those stanzas are now trending.
There is a way to be in this world and this must be it.
All my dreams have wound around need.
This time of year the radiator sings at night. The gray mornings are carbon copies of Cleveland’s skies. Those years full of bravado that only darkness holds or youth demands. To the east, the pastel light spins out into easter yellows, baby blues, and softened ripe peaches.
I watched him dip his boots into the fountain, one at a time, muddied from the urban forest he was paid to curate.
When we talk about the work be explicit.
Do you care
enough?
We all have somewhere to be
someone to hold (ourselves mostly)
accountable for what happens today.
Absence opens possibility.
We gather inside and treasure light. We are enamored with the hues of soft pinks and peach oranges that have lengthened during this seasonal rotation. Yes, we do have an agenda, a way of being, of feeling seen.
While shadows form, for they provide their own value of shelter and comfort, we scout for interdependence. We want transformation not assimilation. Our politics disrupt, express, reconceptualize desire and power. It’s a decentered practice. A rebellion.
What we seek is an acknowledgment of the complexity of difference and an orientation that does not ignore a reality that is relational. All of our connections, regardless of intimacy, physicality, and emotional depth are nonnegotiable and non-hierarchical.
Our resistance depends on it.
our days have been brighter
an optics, a behavior, of being awake
this year’s declarations:
* occupying neutrality is poetic nuance *
* embody love as deep as it can go *
* shame has subjective exchange rates *
* judge listening and justice as actions *
* what feels good and safe is happiness *
* it is ok to change your mind, to leave, to quit, to cry *
* apologies and forgiveness are patterns of endless appreciations *
“being devoured can make you cry” – Robin Coste Lewis
The earth is burning.
The jade tree hedges down the street are dying.
Stores release their fall line of sweaters, scarves, and jackets.
I have something to say, anything, nothing at all.
I write love letters in the middle of the night.
I think about your broken tooth, back, heart.
She spoke about representation and desire.
Our wars are a proxy for absence or relentless regrets.
I think we all
even you
want to escape
to start over
to be reborn.
Kiss me hard before you go / Summertime sadness – Lana Del Ray
I remember the red, blood red, carpet.
The sun, both setting and rising,
made the western facing room feel that much warmer.
I remember the heavy dining room table,
a dark honey wood, with majestic claw feet.
This is where we were forced to cry,
to talk about the weather, money, crops.
This was the house where I realized that speaking up meant salvation,
a deliverance of blame so that others could go unpunished.
It also meant wooden spoons broken across our bodies.
There were dinners of noodles, meat, tomato sauce.
It meant mom was able to go the store.
I was grateful to have something else added to the endless supply of ground beef.
The driveway was circular,
it went nowhere and everywhere at the same time.
The dogs were treated as workers.
The horses were tall, smelled of earth and hair,
their soft velvet noses stiff with whiskers.
It’s harvest season.
Conscious of renewal,
we plan for what we need tomorrow.
This is the time of year to honor defeat
celebrate the shifting light
embody lived experiences
transform our perceptions.
We love fiercely, in this community.
Pleasure. This should be our lifetime pursuit.
Following horoscopes like choices, prioritizing sharing, locating power and minding interpersonal boundaries.
Matters of the heart extend beyond erotics.
We dare to say please and ask to end with thank you.
The summer days draw strength from warming slowly.
It is energy saved to make those days that seem to find you.
The clocks are set for us;
there is nothing we can do.
There will be more daylight,
regardless of our interventions.
This moment is arbitrary.
It is grace, suspended.
Winter’s irony: light lingers longer.
In California, the trees are lemon and jade.
It’s the most wonderful time of the year.
The highest point of the bridge
shamelessly exposes itself
to the early morning fog.
Winter is on its way.
We start to confess
how we’ll survive the holidays.
Devising urgent strategies
to avoid memories
that are as traditional
as wanting more
than what you have.
We hold our breath
like blankets in a morning grip.
Yesterday’s news never arrived.
We carry on in spite.
This season’s colors:
yellow sweaters,
peach scarves,
beet colored shoes,
and silver buttons
shining like peacocks.
Letting go becomes a narrative fact;
in this, we take solace
as darkness settles around us.
“I had only one thing to say. I was so terrified of saying it because once I said it, would I still have anything left to say? To have so little to say. To insist on speaking. To create a silence every time we speak. To know all this and do it anyway. This is as close as I can get to saying what I mean.” — Jenny Zhang, Hags
There’s probably a disclaimer in here.
The streets did not scare me.
Every coffee had a spoon.
Museum translations lacked details.
Gold, fine porcelain, silver settings,
swords, myths, transferred power.
Remember intangible moments,
hoard the way light hides shadows.
Repeat until this is a song,
a rhythm that leaves room
for forgiveness. Retracing outlines
of curves and coveting lines
that dead end. We’ve sold out
of what’s needed
to mend broken hearts.
Violence supplying demand,
the brutality unavoidable.
Endless summers folding
into winter’s waves. Wishing to
stop long enough to synch breath.
It was the sound of rushing, the way the ocean pulls into itself.
Falling and rising, gravity is an indicator measuring distance.
In Proofs & Theories: Essays on Poetry, Louise Glück admits, “I liked scale, but I liked it invisible.” Starting from a place of invisibility, a sense of safety, yet maintaining perspective resonates deep within me as winter slowly transitions into spring.
Water in West Virginia is deadly and smells like licorice for hundreds of thousands. In fact, over 300,000 people have been forced to drink only bottled water; the chemical spill’s impact contained within a complete and conveniently round number. Bodies, specifically women and girls’ of color bodies in comas, are illusions for a culture that still claims to value human life. National discussions center the paradoxical, for those in power, concept of growing gaps. Shrinking safety nets catch only the most tenuous of “opportunities” for those who have learned how to survive within the thinnest of margins. Pop stars and Fox news package feminist rhetoric in digestible byte size narratives that keep gender politics profitable.
It feels endless, this parade of brazen hypocrisy. There should be no surprise that we opt out behind private screens, devise elaborate rituals of denial, and post selfies to curate what we wish to be. It’s within this scale of manufactured hopes and inside the disposable commodities of dreams that we strive to find community, love, value, and joy.
