rosemary

“But your pleasure understands mine.”
— Clarice Lispector, The Sharing Of Loaves

Betsy Eby (American, b. 1967), Rise, 2017. Encaustic on canvas over panel, 35 x 48 in.

at 39,000 feet clouds rose like mountains
fading to dark as the blushing sun set
then black as the thinnest winter ice

we learned to turn our wheels into those slick black icy slides
our seasonally practiced knowledge was validated as grace in chaotic transitions
when done correctly, such surrendering was active evidence of a survivor’s effort

in spring, we planted rosemary to remember our deepest buried beliefs
we harvested fresh-picked bundles and revised our most shadowed secrets
like wanting nothing but distant empty horizons and bodies that do not betray

we sculpted those now altered thoughts and declared them working dreams
trusting that our shared wishes for a braver future were coming true

we gathered sacred

smash and grab

Tell me, what’s the joy of giving if you’re never pleased?
— Blood Orange, Champagne Coast

Georgia O’Keeffe, Blue-03, 1916, watercolor on paper

the sun rises at eastern edges
yellowing twilight blues

when there is nothing
rest

if there were Christmas stockings
we always had an orange

persistence can feel joyful
is there another choice

we can be called to lead
or follow

how does that feel
really

stacked seasons

“There are dead stars that still shine because their light is trapped in time.
Where do I stand in this light, which does not strictly exist?”
— Don Delillo, Cosmopolis

artist unknown

the light, not yet warm, opens our days
we commit to memory that hope is best performed as a cognitive process
and remember: stars align themselves through proximity and gravitational pull

collapsing distances to violent midwinter visions
questions seep: how did I not know I was in danger
violations stacked delicate   //   soft brushes with unwanted space

this tail of the past curls comfortably around itself
scared animals return home, even if home is unsafe
as time sinks into litanies simple as joy is serious

our narrative clearly has a beginning, middle, and an end
because our holy bodies are sites of quantum consciousness
we swagger in possibility, we pull intuitive threads to unravel

imprints

“The sun and the moon call out, as it were, and the oceans call back. The oceans aren’t passive listeners but partners in an energetic conversation – resonance – that ultimately accentuates or diminishes the tide.” — Jonathan White, Tides: The Science and Spirit of the Ocean

3.11.2017 Berlin

“She’s keeping time with a mystery rhyme.” — Jesus and Mary Chain

I am still learning how to perform quick good-byes.
Never witness to a proper and graceful exit
during my formative years (too young to protest)
we were more often forced to be unreliable hostages.

My history is threaded into core tensions
twisted thick as exploiting hospitality
and deep as ignoring consent. We would wait
silently at the host’s kitchen table in our winter coats
hoping with the start of a new story
that time would naturally come to an end.

Those years I learned how to be quiet
enough
holding my breath into
darkness.

I want to crack open, carefully
pull out ghosts and obsolete angels
examine where sweetness gathers as illicit responses
and rush into and out of why feeling loved is dangerous.

Private as thoughts
temporary as shorelines.

a whole orange, floating

“you might as well answer the door, my child, the truth is knocking.” — Lucille Clifton

artist: Scott Reeder, Real Fake, 2013; photo by Rachel Cromidas; location: Trump Tower, Chicago 2017

the hand’s sensitive intelligence
a found erotic reference
dangerous as a nation divided
beggars and thieves and other

whispering cacophonous choruses
our fears spill into codes
a new kind of Reconstruction
stumbling into mosaic beauty

he said the issue is not opportunity
while we stay flat footed, even in heels
summer jackets hide shame
in that way, it is easy

what is beneath the surface begs
it howls
remaining grounded has a sinister side
backlash by way of prophetic referent

public feelings

[such a sky and such a sun
i never knew and neither did you
and everybody never breathed
quite so many kinds of yes]

— E.E. Cummings

found @stacyontherocks
found @stacyontherocks

We’ve come undone, cumulatively, in the same way that Rachel Carson’s Silent Spring warns. Ruled by misunderstandings, which is to say we are ruled by no one in particular, norms are large-scale projects of self-consciousness. It’s public infrastructure.

The ocean goes nowhere except to meet itself.
A private sensation, a mix of urging and friction.

Days bleed into opinion. It is not enough to simply be.
All this pressure to perform as heaven’s rewards remain on layaway.
I want to be inside that pejorative energy. Transposed survival.

Cut. Then paste. Seasons as witness to predictions that light seeks light.

cracked

Christmas fell on a Sunday, as ordinary as on a Tuesday.
Wants were absence so we honored each other’s realizations.
A modern birth narrative.

Cleveland Dec05
Cleveland Dec05

Liturgy presupposes witness as its baseline function.

Transitions have made you partisan.

escape
escape

Dancing as walking.
Sidewalks are walls.
Stoplights are lamps.
Eating as warfare.
Bombs are poems.

We find comfort in staying warm and undefeated.

tactics

hello Jan10
hello Jan10

each day unwinds into itself
each one of us an appetite
expansion releases
preferences: wild

context is so specific

his throat tatooed punk
another directed his gaze
I gave him what he wanted
performative resistance as lifestyle

cut on the bias

adipocere, hand embroidery on natural linen
adipocere, hand embroidery on natural linen

The earth shook itself awake this morning.
With a low-key grumble and heavy embodied motion
our unnested Russian cat dolls fell, one by one.

The unnerved mountains had no comment.

We took a collective breath as clouds lined up like teeth
and moved gently to memorialize our survival.
As witness to the sublime, we occupied time.

Santayana, the philosopher, said history is nothing but recorded dreams.
The poet Stafford said divine is more of a claim.
Those stanzas are now trending.

There is a way to be in this world and this must be it.

follow the signal underneath the noise

All my dreams have wound around need.

Nov 22, 2015
Nov 22, 2015

This time of year the radiator sings at night. The gray mornings are carbon copies of Cleveland’s skies. Those years full of bravado that only darkness holds or youth demands. To the east, the pastel light spins out into easter yellows, baby blues, and softened ripe peaches.

I watched him dip his boots into the fountain, one at a time, muddied from the urban forest he was paid to curate.

When we talk about the work be explicit.

Do you care
enough?

We all have somewhere to be
someone to hold (ourselves mostly)
accountable for what happens today.

follow the breath

Absence opens possibility.

We gather inside and treasure light. We are enamored with the hues of soft pinks and peach oranges that have lengthened during this seasonal rotation. Yes, we do have an agenda, a way of being, of feeling seen.

While shadows form, for they provide their own value of shelter and comfort, we scout for interdependence. We want transformation not assimilation. Our politics disrupt, express, reconceptualize desire and power. It’s a decentered practice. A rebellion.

What we seek is an acknowledgment of the complexity of difference and an orientation that does not ignore a reality that is relational. All of our connections, regardless of intimacy, physicality, and emotional depth are nonnegotiable and non-hierarchical.

Our resistance depends on it.

epistemic relevance

our days have been brighter
an optics, a behavior, of being awake

12-31-15 5:48pm
12-31-15 5:48pm

this year’s declarations:
*  occupying neutrality is poetic nuance *
*  embody love as deep as it can go  *
*  shame has subjective exchange rates  *
*  judge listening and justice as actions  *
*  what feels good and safe is happiness  *
*  it is ok to change your mind, to leave, to quit, to cry  *
*  apologies and forgiveness are patterns of endless appreciations  *

spiral

“being devoured can make you cry” – Robin Coste Lewis

Beauty Bar Oct15
Beauty Bar Oct15

The earth is burning.
The jade tree hedges down the street are dying.
Stores release their fall line of sweaters, scarves, and jackets.

I have something to say, anything, nothing at all.
I write love letters in the middle of the night.
I think about your broken tooth, back, heart.

She spoke about representation and desire.
Our wars are a proxy for absence or relentless regrets.

I think we all
even you
want to escape
to start over
to be reborn.

discursive thoughts

Kiss me hard before you go / Summertime sadness – Lana Del Ray

8-6-15
8-6-15

I remember the red, blood red, carpet.
The sun, both setting and rising,
made the western facing room feel that much warmer.

I remember the heavy dining room table,
a dark honey wood, with majestic claw feet.

This is where we were forced to cry,
to talk about the weather, money, crops.

7-4-15
7-4-15

This was the house where I realized that speaking up meant salvation,
a deliverance of blame so that others could go unpunished.
It also meant wooden spoons broken across our bodies.

There were dinners of noodles, meat, tomato sauce.
It meant mom was able to go the store.
I was grateful to have something else added to the endless supply of ground beef.

6-26-15 "fuck new money SF"
6-26-15
“fuck new money SF”

The driveway was circular,
it went nowhere and everywhere at the same time.

The dogs were treated as workers.

The horses were tall, smelled of earth and hair,
their soft velvet noses stiff with whiskers.

perpetual motion

It’s harvest season.
Conscious of renewal,
we plan for what we need tomorrow.
This is the time of year to honor defeat
celebrate the shifting light
embody lived experiences
transform our perceptions.
We love fiercely, in this community.

Francisco de Zurbarán, Agnus Dei, 1635–1640
Francisco de Zurbaran, Agnus Dei, 1635-1640

 

hedonia

Pleasure. This should be our lifetime pursuit.

ritual June15
ritual June15

Following horoscopes like choices, prioritizing sharing, locating power and minding interpersonal boundaries.

Matters of the heart extend beyond erotics.
We dare to say please and ask to end with thank you.

The summer days draw strength from warming slowly.
It is energy saved to make those days that seem to find you.

spring

sweets
sweets

 

The clocks are set for us;
there is nothing we can do.
There will be more daylight,
regardless of our interventions.

This moment is arbitrary.
It is grace, suspended.

idle hands

Winter’s irony: light lingers longer.

Gemini moonrise light Dec14
Lands End 4:56pm 12.6.14

In California, the trees are lemon and jade.

Oakland Dec14
Oakland Dec14

It’s the most wonderful time of the year.

conflicts of avoidance

The highest point of the bridge
shamelessly exposes itself
to the early morning fog.

Winter is on its way.

We start to confess
how we’ll survive the holidays.
Devising urgent strategies
to avoid memories
that are as traditional
as wanting more
than what you have.

We hold our breath
like blankets in a morning grip.
Yesterday’s news never arrived.
We carry on in spite.

This season’s colors:
yellow sweaters,
peach scarves,
beet colored shoes,
and silver buttons
shining like peacocks.

Letting go becomes a narrative fact;
in this, we take solace
as darkness settles around us.

amplified

“I had only one thing to say. I was so terrified of saying it because once I said it, would I still have anything left to say? To have so little to say. To insist on speaking. To create a silence every time we speak. To know all this and do it anyway. This is as close as I can get to saying what I mean.”  — Jenny Zhang, Hags

Berlin
Let me introduce myself.

There’s probably a disclaimer in here.
The streets did not scare me.
Every coffee had a spoon.
Museum translations lacked details.
Gold, fine porcelain, silver settings,
swords, myths, transferred power.
Remember intangible moments,
hoard the way light hides shadows.
Repeat until this is a song,
a rhythm that leaves room
for forgiveness. Retracing outlines
of curves and coveting lines
that dead end. We’ve sold out
of what’s needed
to mend broken hearts.
Violence supplying demand,
the brutality unavoidable.
Endless summers folding
into winter’s waves. Wishing to
stop long enough to synch breath.

repudiation

It was the sound of rushing, the way the ocean pulls into itself.
Falling and rising, gravity is an indicator measuring distance.

12.30.13, San Francisco, CA
12.30.13, Ocean Beach, CA

In Proofs & Theories: Essays on Poetry, Louise Glück admits, “I liked scale, but I liked it invisible.”  Starting from a place of invisibility, a sense of safety, yet maintaining perspective resonates deep within me as winter slowly transitions into spring.

Water in West Virginia is deadly and smells like licorice for hundreds of thousands. In fact, over 300,000 people have been forced to drink only bottled water; the chemical spill’s impact contained within a complete and conveniently round number.  Bodies, specifically women and girls’ of color bodies in comas, are illusions for a culture that still claims to value human life. National discussions center the paradoxical, for those in power, concept of growing gaps. Shrinking safety nets catch only the most tenuous of “opportunities” for those who have learned how to survive within the thinnest of margins. Pop stars and Fox news package feminist rhetoric in digestible byte size narratives that keep gender politics profitable.

It feels endless, this parade of brazen hypocrisy. There should be no surprise that we opt out behind private screens, devise elaborate rituals of denial, and post selfies to curate what we wish to be.  It’s within this scale of manufactured hopes and inside the disposable commodities of dreams that we strive to find community, love, value, and joy.