Dinner was the same: ground beef — a portion
of a six hundred dollar monthly salary — tomato sauce,
and elbow macaroni. That winter night, when he reached
for another helping, she noticed a thin red line
flowing from his thumb to his armpit. The blood infection inched
forward in proportion to the pounds of noodles, canned sauce,
and slaughtered cattle that filled our child-sized stomachs.
Weeks before, he cut his thumb skinning a dead lamb.
Orphans are draped with the skins of the dead to deceive
mothers in lambing season. A forced rebirth through the smell
of the familiar. When they left for the emergency room,
we watched the trace of their brake lights in the empty darkness.
As orphan bonded to new mother, we ate alone in committed silence.
Maybe if I loved her enough, my mother would heal. – Chana Wilson, Riding Fury Home
My mom officially disappeared from our family when I was thirteen. To be fair, she did not know she’d be leaving her four daughters that day either. When she left the house, she had packed nothing but her purse. Dispossessed, my memories are inscribed into a tight buzzing chest, rushed breathing, and anxious as self-doubt. These memories are my limbic system, the circuits of my mood board. I learned decades later my father took her purse as the only door out of the mental institution shut in her face.
The memories I have exist because I was there but that is as far as my truth can extend, the rest are now privatized myths. To be honest, my mom had been disappearing long before that fateful day. The silence in between seeing her was seasonless and evokes the dreamy concept of eternity for me.
It is true some winters the prairie grass reached taller than the snow drifts. To be obnoxious, you can read snow drifts as a noun or a verb. In that way, my teenage years were a righteous alchemy of oblivion and riot. I remember watching my mom’s need to earn her perfection and how she absorbed all his taking. I deducted a respect for witness and learned early that quiet violence swells. Infinite in its exhaustion, my realities are at best uncertain, which means I have the capacity to refine and revise.
I learned the art and practice of possibility from my mom. To be obvious, I owe my mom my life even if she wasn’t there for most of it. I let go of contempt for she also holds dreams of the horizon inside her.
“Success is someone else’s failure. Success is the American Dream we can keep dreaming because most people in most places, including thirty million of ourselves, live wide awake in the terrible reality of poverty. No, I do not wish you success. I don’t even want to talk about it. I want to talk about failure.” — Ursula K. Le Guin, excerpt from her 1983 Mills College commencement address “A Left-Handed Commencement Address”
Shujiro Shimomura, Poster Design, 1929
Mental maps are flashbacks of intertwined stories not to be confused with flash-forward dreams like visible clouds in the night sky backlit by 24-7 traffic lights, or knowing you are looking directly at an invisible full moon. I am sorry if this specificity of darkness is dense and complicated. I have historically avoided anchors of place in my writing because it feels safer to drift unmoored. It is entirely possible I do not want you to find me.
My past has too many inconsistent waypoints to map accurately—my mother is an unreliable narrator and my father’s sense of direction was absorbed as gospel, narrow and aggressive. Gathered, these scattered memories take shape as a specific form of isolation. The truth is, wrapping myself in distance feels like home.
This dark and expansive landscape I pull from is as familiar as counting landmarks on long drives back home, de facto mile markers such as wind-sculpted trees, mirage plateaus, and the occasional 4-way stop sign scarred with casual bullet holes. My expertise in understanding subtle changes as a sense of direction was earned honestly.
As an identical twin, separation is a practice of abundance. Do you recognize that gift in yourself?
Stars are born when clouds of gas called nebulae infinitely collapse. The center of this collapse, a result of carefully balanced external gravitational forces and internal rising temperatures, fuses into light brilliant enough to witness from Earth’s distance. In this nearly empty darkness, collapsing coordinates are not fixed either. All these simple steps broken into a discovery of self, in excellence and always in evolution.
“writing…is a process of relying on immediate pervasive feelings, not an escape from them…” — William Stafford, Writing the Australian Crawl. pg. 88
I’M HERE FOR LUCK. Louis Wain (1926)
I haven’t found a way to say I love you that isn’t complicated, so I practice loving you every day. Sounds of terrorized children broke through all those hours of visual noise. Hope is a map. A place to begin.
The distance of decades doesn’t always make things quieter. Calendars are more form than function. I learned early and repeatedly that love must be earned, and value is measured by others. An intimacy of detachment.
Addicted to seeking approval is one way of saying yes unconditionally. Instead, imagine a private collection of silent hymns. These days, I take care to mend memories as a way to create acceptance. A public chorus swelled.
Broken into speculative practices, writing things down reinforces pleasure and importance in tandem. Together, through famine and fortune, what stands out is love. An oxygen where sacrifice is not born from competition.
I think about the distance of fog
& find another way home
lost (as in damaged)
with all the sharp edges of a dog whistle
you left us nothing but absence — its own hope of escape
your mystery dominated empty spaces
so we reduced ourselves to survive
along pressure points (dislocated)
& under religion’s exploitation of bad luck
answers started rooting their own origins
in spite of darkness translating shape
light claimed its own space
showing influence (weighted)
we learned to feel
reverie
Our inherited risks are not equal. This is an urgent incantation.
As visceral affect, I want to disembody and divest.
My father tracked weather patterns in free pocket-sized bank calendars.
Constrained, he archived basic data (temperature and precipitation)
occasionally punctuated with significance: two daughters born June 8th;
weight and height nearly identical.
His daily notes arranged into a practical devotion bound by time and repetition.
For point of reference, children and livestock born in storms were not isolated incidents. Shaping a landscape absent of variables, his pattern recognition became a survivor’s catalog.
Our futures signal forced reliance, an intimate risk. This is an urgent incantation.
As righteous affect, I want to feel god everywhere.
“But your pleasure understands mine.”
— Clarice Lispector, The Sharing Of Loaves
Betsy Eby (American, b. 1967), Rise, 2017. Encaustic on canvas over panel, 35 x 48 in.
at 39,000 feet clouds rose like mountains
fading to dark as the blushing sun set
then black as the thinnest winter ice
we learned to turn our wheels into those slick black icy slides
when done correctly, such surrendering was active evidence of a survivor’s effort
in spring, we planted rosemary to remember our deepest buried beliefs
we harvested fresh-picked bundles and revised our most shadowed secrets
like wanting nothing but distant empty horizons and bodies that do not betray
we sculpted altered thoughts and declared them working dreams
trusting that our shared wishes for a braver future were coming true
“The sun and the moon call out, as it were, and the oceans call back. The oceans aren’t passive listeners but partners in an energetic conversation – resonance – that ultimately accentuates or diminishes the tide.” — Jonathan White, Tides: The Science and Spirit of the Ocean
3.11.2017 Berlin
“She’s keeping time with a mystery rhyme.” — Jesus and Mary Chain
I am still learning how to perform quick good-byes.
Never witness to a proper and graceful exit
during my formative years (too young to protest)
we were more often forced to be unreliable hostages.
My history is threaded into core tensions
twisted thick as exploiting hospitality
and deep as ignoring consent. We would wait
silently at the host’s kitchen table in our winter coats
hoping with the start of a new story
that time would naturally come to an end.
Those years I learned how to be quiet enough
holding my breath into
darkness.
I want to crack open, carefully
pull out ghosts and obsolete angels
examine where sweetness gathers as illicit responses
and rush into and out of why feeling loved is dangerous.
Deep in their roots all flowers keep the light. —Theodore Roethke
Jean Baudrillard, Saint Clement, 1987, Giclée print on pure cotton paper, 60 x 90 cm
these broken pieces are their own ritual
spirals of coping mechanisms
apparitions
***
I’ll give you something to cry about was a challenge, a threat, and a promise.
Your unmasked emotions always carried a visible regret.
These thoughts came through, wide-eyed and unaware of their tardiness.
Flowing the way water finds the least resistance, crooked and illogical.
***
first there were wild-maned horses on frantic wide open horizons
followed by scratched, then abandoned, lottery tickets turned city sidewalk confetti
both are remembered as tender memories so as not to tear open violently
in the same way a new moon rising is full darkness and as obvious
as even the smallest bird creating their own shadows in flight
“I knew the tension in me between love and power, between pain and rage, and the curious, the grinding way I remained extended between these poles – perpetually attempting to choose the better rather than the worse.” — James Baldwin
May 23, 2017 (9:09am New Mexico)
I read all the names of the sacred rivers and creeks
as roadside memorials blurred into permanent mile markers
horizon x distance = distortion
horizontally speaking it was a longing
pressure folding into seductive resistance
when you knew you were in trouble, what did you do next?
these days and for some time since
I move with spiritual abandonment
neglect now atmospheric radiance
habitual as landscapes
my divided thoughts are pulled to you
Did our information channels cross? What did you see?
Detroit Nov16
I saw acceptance as evolution or, for some, defeat.
Our blended memories equal parts resistance.
These metaphors really are literal representations.
Over strong coffee and homemade kuchen he said, America does not have a culture of grief.
For some, this is our language, stories, solutions.
There is nothing in this city that is soft.
Nothing but words that flow from behind your teeth
and the background rhythm of your always working heart.
Working all sides of the angle honors a process.
All conversations end unless you want to move forward.
Value silence found around figurative positions.
The screen read: baptized by boundaries.
I looked for dignity after that simple interaction.
Theories, as perception, in parsimony and in exhale.
The voices most common to me end with the sound of a question.
It’s that curl at the end, a curiosity unspoken.
There’s a particular consciousness when I hear that familial cadence.
Prompts that possess risk and assumed uncertainty.
Yale Ave N, May14
The sun was an escort that morning.
A morning with purpose and mummified mandarins.
This and other routines becoming orientations –
a private relationship with temporality.
somewhere over MI or WI, April14
In silence, I see violence.
In breath, I think sex.
In the pornography of my dreams,
you know you can’t fuck me like that
and then act like I’m fragile. That is
a subtlety best reserved for detachment.
Hotel Villa Convento Nov15“This was love, to be eager for tomorrow.” – Chimamanda Ngozi Adochie
I don’t know why we love differently. Why we are still able to find love.
There is an essential unfairness in you not knowing me.
In New Orleans, I observed the tourist’s shoes. There were also discarded squeezed limes, sleeping homeless bodies under quilts, and stray cats eating street meat. How quick things can go hard!
So instead, I collected curiosities like watching her eat giant grapes in half bites.
His accusation that my hole was filled with everything
but god was profound, if only for its blind accuracy.
The contents of that enclave signifying nothing beyond
a persistence to reject his god that does not know love.
Wet ice formed on frosted car windows that late night I prayed
for him to save me. We were finally on our way home from somewhere
staying longer than they had wanted. Leaving behind one tension,
that kind of politeness, for drunken silence, his version, not ours.
Barbed wire fences reminders of distance from road to ditch.
Three years ago today, it was a nearly nude fashion show, and four years ago doing my own thing found itself on a “good things” list.
Do you know if the richest cities face west? What if we found settlement in a such a place?
Weeks form around us. Patterned reconciliations, memories of bus rides in other cities, different exchange rates. Those were my hard gained needs.
From your perspective, I cannot exist. Shifting your vengeance, a cruel blindness, that’s the type of aggression I inherited now abandoned for gentle privileges, useless hardwired knowledge, plotted along sensitive geographies. Navigating scripts, a dialect of claimed silences, lulling like waves like violence like survival. We have always carried this resistance, this method of rapture.
The contents of the detained shipping container
(according to the public news)
were from the 1970s, from China
and filled with spoiled meat.
A story just as true as
finding your way home
after being in between
gone and disappeared.
labor day weekend 2015
One-sided wind blown trees tell their own version of the story.
The golden slopes another clue to the way force shapes.
What a divine disruption!
A moment when breathing in makes you bigger
full – more – when exhaling makes you smaller, less.
Counting blind spots, your breath, my exhalations
their frequencies filed under proportional commitment.
A revelation when patience for violence wore thin.
Kiss me hard before you go / Summertime sadness – Lana Del Ray
8-6-15
I remember the red, blood red, carpet.
The sun, both setting and rising,
made the western facing room feel that much warmer.
I remember the heavy dining room table,
a dark honey wood, with majestic claw feet.
This is where we were forced to cry,
to talk about the weather, money, crops.
7-4-15
This was the house where I realized that speaking up meant salvation,
a deliverance of blame so that others could go unpunished.
It also meant wooden spoons broken across our bodies.
There were dinners of noodles, meat, tomato sauce.
It meant mom was able to go the store.
I was grateful to have something else added to the endless supply of ground beef.
6-26-15 “fuck new money SF”
The driveway was circular,
it went nowhere and everywhere at the same time.
The dogs were treated as workers.
The horses were tall, smelled of earth and hair,
their soft velvet noses stiff with whiskers.
It’s harvest season.
Conscious of renewal,
we plan for what we need tomorrow.
This is the time of year to honor defeat
celebrate the shifting light
embody lived experiences
transform our perceptions.
We love fiercely, in this community.
It was the way you disappeared. There was a strategy to it.
beauty/duty July15
I’d tile this chapter: collapsing just short of understanding. Every day forged into an act of hope, not to be confused with faith. The mountains, when revealed, were tucked into each other and clouds pale like bone. These people we’ve become feel unconsciously different. We are borderline confident.
