Capitalism fracks the sensorium.
—Lauren Berlant, On the Inconvenience of Other People
4th of July TV fireworks, 2022
At some point, your conception of the universe eclipsed mine.
It’s none of your business how we sorted out the important details
like why are all the planets round and who took winter?
I whispered the projected significance of seeing 333 predictably
patterned to arrive when yesterday’s headlines became a dirge. Bright,
overexposed, and not unlike prophesy I read between the images
and placed my gaze elsewhere. At this point, it’s an omission
if I didn’t disclose your mania kept us alive. We were shrines buoyed.
The preacher leaned into salvation’s promise at the very end.
It was a funeral, no better time to coerce eternal life.
Another soul claimed and sweetly celebrated as taken.
The rest of us will just have to wait our turn.
How death gathers us together—memories of memories.
Grief a double-edged fascination, overactive,
a disorder of obsession. Not here, anymore.
But on this side of heaven we must find a way.
Not wanting to arrive too late for the inevitable call
to forgive what has been left behind, and its remainder—
the sky laid open in exonerated glory and surrendered
its filtered light to be just as definitive as belief in faith.
You can go home again…so long as you understand that home is a place where you have never been. —Ursula K. Le Guin, The Dispossessed
David Bagnall, Eating by candlelight during a 1972 power cut (Ironbridge Power Station, Shropshire, England, in the background)
Winter constellations hang low in the blue-black night sky,
Gemini returns. Add homemade cherry strudel to the list
of memories unforgotten, folds and folds of circumstances
harmonizing with the grace of effort. Repeat the sounding joy.
Decades pass into desire for acclamation but are instead
filled with humble enthusiasm. Hard luck made this base.
Conceptually, all archived reality shapes heartfelt elegies.
Not even God knows all our translations whispered
into twisted defenses. Hope is the last to die.
~~~~~~~~~~~~~~~~~~~
repeat the sounding joy is a verse from “Joy to the World”
hope is the last to die is a fragment from A Breath of Life by Clarice Lispector, tr. Johnny Lorenz
The past beats inside me like a second heart. —John Banville, The Sea
A Marilyn Monroe Simulacrum, December 2011, Sioux Falls, South Dakota
From football to cult rallies on glacial plains,
America excels at strategies of deterrence.
There is generational learning behind knowing
the difference between submission and giving.
Release is forbidden.
Americans’ reflective accolades penetrate the best
as fervent belief converts to trembling devotion.
The point being none of this is supposed to make sense.
As true as death, reality always fades.
Gelatin-silver print (1925) from the movie “Ways to Power and Beauty” by Wilhelm Prager & Nicholas Kaufmann
When translated to English, zugunruhe (German) literally means “migration anxiety”.
In accordance with their inherited calendars, birds get an urge to move.
—William Fiennes, The Snow Geese
It is restlessness with a specific depth—you can feel it. I know because its anticipation first pools sweetly and intimately inside my dreams thickly layered into a time-bound mix of memory and myth. We can call it instinct. I didn’t chose these fragile liminal structures but I listen to them for the survivor messages they inevitably surface.
Those messages, that calling, is from a place where threshold holds both its meanings; what must be exceeded for a reaction to occur and an entry. It is rudimentary—basic at this point—that I must relearn anticipation is also a kind of hope.
I imagine myself arriving new, and again in return.
“Pears cannot ripen alone. So we ripened together.” — Meridel Le Sueur
Lyndi Sales. What are your chances if the game is rigged?, paper & thread, 124 x 115 cm
I remember helping my father feed the boss’s cattle.
My sisters and I would watch him shovel hay
from the bed of the slow-moving pickup, driverless
and pointed in the general direction of home.
In winter, the cab’s heater blasting,
we were witness to the cattle’s eager breath
etch a chorus of hungry moos into the frozen air.
The chore was done when the hay was gone.
Wavy furred lines transformed the barren prairie landscape.
I remember the weight of your loudest threats
mapped onto your hands. You hit us to teach us a lesson,
to be quiet, because you couldn’t hit the boss.
As we got older, and bigger, you perfected words
into weapons, making your impact invisible.
Then came tender gaps of amputated time
when your anger spilled vengeance
against those you had declaimed to love so fiercely.
Forced to move into the deepest parts of nowhere,
packing tempers and testimony this time would be better than the last.
Starting over was the goddamn point when all you have for a legacy is your name.
That may have been one reason why
no one knew us where we were headed.
Our mutual legacy now an extension of reputation,
much like how only female cottonwood trees
shed their obnoxious cottony seeds
into the most distant, wind-driven places.
Maybe if I loved her enough, my mother would heal. – Chana Wilson, Riding Fury Home
My mom officially disappeared from our family when I was thirteen. To be fair, she did not know she’d be leaving her four daughters that day either. When she left the house, she had packed nothing but her purse. Dispossessed, my memories are inscribed into a tight buzzing chest, rushed breathing, and anxious as self-doubt. These memories are my limbic system, the circuits of my mood board. I learned decades later my father took her purse as the only door out of the mental institution shut in her face.
The memories I have exist because I was there but that is as far as my truth can extend, the rest are now privatized myths. To be honest, my mom had been disappearing long before that fateful day. The silence in between seeing her was seasonless and evokes the dreamy concept of eternity for me.
It is true some winters the prairie grass reached taller than the snow drifts. To be obnoxious, you can read snow drifts as a noun or a verb. In that way, my teenage years were a righteous alchemy of oblivion and riot. I remember watching my mom’s need to earn her perfection and how she absorbed all his taking. I deducted a respect for witness and learned early that quiet violence swells. Infinite in its exhaustion, my realities are at best uncertain, which means I have the capacity to refine and revise.
I learned the art and practice of possibility from my mom. To be obvious, I owe my mom my life even if she wasn’t there for most of it. I had to let go of any contempt for her absence years ago because, like me, she also holds dreams of an expansive horizon inside her.
“Success is someone else’s failure. Success is the American Dream we can keep dreaming because most people in most places, including thirty million of ourselves, live wide awake in the terrible reality of poverty. No, I do not wish you success. I don’t even want to talk about it. I want to talk about failure.” — Ursula K. Le Guin, excerpt from her 1983 Mills College commencement address “A Left-Handed Commencement Address”
Shujiro Shimomura, Poster Design, 1929
Mental maps are flashbacks of intertwined stories not to be confused with flash-forward dreams like visible clouds in the night sky backlit by 24-7 traffic lights, or knowing you are looking directly at an invisible full moon. I am sorry if this specificity of darkness is dense and complicated. I have historically avoided anchors of place in my writing because it feels safer to drift unmoored. It is entirely possible I do not want you to find me.
My past has too many inconsistent waypoints to map accurately—my mother is an unreliable narrator and my father’s sense of direction was absorbed as gospel, narrow and aggressive. Gathered, these scattered memories take shape as a specific form of isolation. The truth is, wrapping myself in distance feels like home.
This dark and expansive landscape I pull from is as familiar as counting landmarks on long drives back home, de facto mile markers such as wind-sculpted trees, mirage plateaus, and the occasional 4-way stop sign scarred with casual bullet holes. My expertise in understanding subtle changes as a sense of direction was earned honestly.
As an identical twin, separation is a practice of abundance. Do you recognize that gift in yourself?
Stars are born when clouds of gas called nebulae infinitely collapse. The center of this collapse, a result of carefully balanced external gravitational forces and internal rising temperatures, fuses into light brilliant enough to witness from Earth’s distance. In this nearly empty darkness, collapsing coordinates are not fixed either. All these simple steps broken into a discovery of self, in excellence and always in evolution.
“writing…is a process of relying on immediate pervasive feelings, not an escape from them…” — William Stafford, Writing the Australian Crawl. pg. 88
I’M HERE FOR LUCK. Louis Wain (1926)
I haven’t found a way to say I love you that isn’t complicated, so I practice loving you every day. Sounds of terrorized children broke through all those hours of visual noise. Hope is a map. A place to begin.
The distance of decades doesn’t always make things quieter. Calendars are more form than function. I learned early and repeatedly that love must be earned, and value is measured by others. An intimacy of detachment.
Addicted to seeking approval is one way of saying yes unconditionally. Instead, imagine a private collection of silent hymns. These days, I take care to mend memories as a way to create acceptance. A public chorus swelled.
Broken into speculative practices, writing things down reinforces pleasure and importance in tandem. Together, through famine and fortune, what stands out is love. An oxygen where sacrifice is not born from competition.
I think about the distance of fog
& find another way home
lost (as in damaged)
with all the sharp edges of a dog whistle
you left us nothing but absence — its own hope of escape
your mystery dominated empty spaces
so we reduced ourselves to survive
along pressure points (dislocated)
& under religion’s exploitation of bad luck
answers started rooting their own origins
in spite of darkness translating shape
light claimed its own space
showing influence (weighted)
we learned to feel
reverie
“But your pleasure understands mine.”
— Clarice Lispector, The Sharing Of Loaves
Betsy Eby (American, b. 1967), Rise, 2017. Encaustic on canvas over panel, 35 x 48 in.
At 39,000 feet, clouds rose like mountains
fading to dark as the blushing sun set
to black as the thinnest winter ice.
Ice we learned to turn our wheels into,
and when done correctly, such surrendering
was proactive evidence of a survivor’s effort.
In spring, we plant rosemary to remember
our deepest buried beliefs. We harvest
and revise our most shadowed secrets like wanting nothing
but distant empty horizons and bodies that do not betray.
We sculpt these altered thoughts and declare them working dreams.
In trust, our shared wishes for a braver future were coming true.
Cache Culture 