“Pears cannot ripen alone. So we ripened together.” — Meridel Le Sueur
I remember when we would go with you to feed the owner’s cattle.
You’d shovel hay from the bed of a slow-moving pickup,
driverless and pointed in the general direction of home.
In the summer, we would pretend to be left behind
and race each other back to the truck.
The first one to jump onto the tailgate was the winner.
In winter, we would sit bundled up, heater blasting,
in the cab and watch as the cattle’s eager breath
etched a chorus of hungry moos into the frozen air.
The chore was done when the hay was gone
and we were witnesses to the wavy furred lines
spread across the barren prairie landscape.
I remember how the weight of your loudest threats
mapped to your hands. You hit us to teach us a lesson,
to be quiet, or because you couldn’t hit the boss.
As we got older, and bigger, you perfected your words
into weapons, making invisible your impact.
Then came the tender gaps of amputated time
when your anger spilled over into vengeance
against those you had declaimed to love so fiercely.
I remember you forced us to move
to the deepest parts of nowhere,
packing your temper and always at your testimony
that this time would be better than the last.
Starting over was the goddamn point when all you have for a legacy is your name.
That may have been one reason why
no one knew us where we were headed.
Our legacy now an extension of mutual reputation,
much like how only female cottonwood trees
shed their obnoxious cottony seeds
to the most distant, wind-driven places.
“…and that is the sentence on repeat in the tapedeck of my chest: How do you go about finding the heart?
I am amazed by how much people can survive, endure—and how they can go on living, laughing. After thorough devastation, indescribable loss, people’s hearts still beat. People can, still, live. This is perplexing, bewildering news to me. Defies all sense and gravity to me. And yet.”
Thick bands of clouds scroll by — unbothered. The poetics of narrative: landscaped yards with lavender, slow growing Japanese maples, bushes of rosemary, hissing palm trees, roses, fuzzy foxtail grasses, vine tendrils straining toward the brightest light, jade trees, announcements of jasmine. Please mute yourself when entering a virtual space. Passive voice writes headlines. Who deserves punishment? A voice reminds us to be careful about seductive victim scripts, leaches of energy. Is having power worth its traded value? For the first time in a long time, we want to continue at the current pace; light holds on longer.
It is June and the radiator is still spitting.
“Sensuality. Our basis of being concrete about the world. It is lustful relationship to things that exist.” — Mark Rothko, from Mark Rothko From the Inside Out
Not quite epiphany
associations of pink
or orange to flesh
or tender resignations
Such inconvenience filters the odds
into other’s perceptions, luck, or madness.
When our fists equal the size of our hearts
there’s recognition in that sovereign drama.
Beginnings blindspot endings.
All rhetorical approximations
Transitions, as in not yet.
Our histories are programmed errors
marked like rings inside trees
plastic as the immediate future.
Mystery strikes then bends
absorbing the unrecognizable
when opposites compliment
more than divide
walking through high waisted
grass sprouted hills
our faces slack with hustle
we laughed like stuffed animal heads
over stories about how snow has energy
shedding syllables as we hurried along
this resistance against recursive nature
(we walk upright for a reason)
not remembering how much our bodies work for us
only sensing how much we fight against it
knowing drama and karma can feel differently
bent backwards until fragile as blue
we maintain stillness
despite insincere throats
affecting the slant of our inner lives
these threads connecting codes
native realizations that community
now definitely includes you
“I pray in words. I pray in poems. I want to learn to pray through breathing, through dreams and sleeplessness, through love and renunciation.” — Anna Kamienska, from “In That Great River: A Notebook” (tr. Clare Cavanagh)
There is anger, again.
It is a fear of waste.
There is nothing left
to do but wake up,
make coffee, write.
Salt, a mineral.
Soft truths with edges.
It is also true we lived in temporary houses.
No one was home so we self-supervised.
Neglect and despair kept us full.
Competition thrived. Like ocean waves,
we conformed to the landscape
beneath a rough water’s surface.
I remember when the city air smelled like summer,
longing and loss. Trees were shaped
by ocean breezes, bald on the west side.
Country twang bled past Mission bar doors opened early.
That moment, its energy, left an imprint.
like the breath
just beneath this prayer.
“What is secret never has total objectivity.” — Gaston Bachelard, The Poetics of Space
Am I repeating lies? The Australian wildfires were started by humans and we live in a democracy or you can say no, which is a choice. I read an audacious headline and followed clicks and threads shiny as trolling lures. In the thick of seduction, I confess I may have shared images without acknowledging an artist because I wanted the frame of reference to reverb. I’ve posted songs that had no accompanying album, which means its context also wandered unattended. I have repeatedly liked things I never read, and never will. I’m exclusive, in a trapped kind of way. Eulogies for the cancelled are stored in clouds stacked miles deep. An echo wags the dog. Empty space occupies sound. We are pixelated into our own repetitive concepts of an othered likeness. Are you repeating lies? Please remind me tomorrow that non-knowing is stasis, sacred affect, and a series is a pattern is a sentence.