graceful omens

America in time of war (September 11, 2018, Mission District, San Francisco)

if attention is the beginning of devotion
then acknowledgement of witness is where I will begin

from street level view, I am an island

a butterfly, hummingbird, & a dragonfly
float through smells of rotting oranges

jump cuts of urban landscapes

in complimentary opposition
the people bartered & exchanged energy

an elegant observation of intimacy

cleaving to an aesthetics of division
loyal to self & other

in chorus, our mutual true horizons were laid visible

_______

quote is Mary Oliver from Upstream: Selected Essays

conscientious imposter

‘I see’ ‘with my voice’ — Alice Notley, from The Decent of Alette

Note by Anne Truitt, April 1965

our learning is from the news
a nurtured condition

⁄ it is eclipse season
shadows are light  ⁄

our call is to imagine, to conceive
defend against performance-enhancing speculations

visionary blight
= fragmentations

our hands worn from self-caress
please see management

it takes a lot of energy to kill a god
Δ long division

tautology, as a fault of style

“with the evolution of awareness came the possibility that existence could be more than survival, or that survival could be more than a response to fear, and could include the encompassing of joy” — Jeremy Wolff, excerpt from the essay Thots on Pot

April 2018

Northern Plains’ cottonwoods spread their seeds this time of year
thick as snow their white progeny coat lawns and 4×4 pickup trucks
a soft blizzard similar to the way Saharan dust reached Texas this week

both are dramatic
all that settling
          (it’s probably nothing)

this feeling of apocalypse came on swift
like gaslighting
    like wildfire
        like bad news

when adoration and permissions share the same open mouth of devotion
it is recommended that you consult your prophesies to justify blanket explanations

transpose unknowing into thoughts and prayers
a crash disrupts into eventual silence

speculative practice

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

T.S. Eliot, from ‘Preludes (IV)’, The Waste Land and Other Poems

Motonaga Sadamasa (Japanese, 1922-2011), Untitled, 1965. Oil and synthetic resin paint on canvas laid down on panel, 91.6 × 116.7 cm.

concerts of effort
sounds better inside a fragment
forgive that this starts out so slow
posting at me to me with me
I’m casual to realize
to follow that, your, our vision
is to be organized into spacial moments — threads
a witness of curation
the: father son and holy spirit

faith is within your standing
some think it is earned
as for me I was taught to be innocent
later learning curiosity had its own beneficiaries
a lesson on just how few original ideas are assigned majestic
fueling dark appreciations for wild abstractions
until it is as uncommon as creating reminders to breathe
I know this all sounds strange
you can call it: new wave vengeance

transference

and where
did that love
I gave
go?

Hannah Höch, Bouquet Of Eyes, 1930

arousal is an anchor
like empathetic inquiry
or side show hustles

echoed relationships
redirected
form finds its subject

we commit to process
over outcome, again
shift to abundance of solutions

technically we are identical
with differences called out
our unconscious a shared language

the news repeats:
rot
patterns

it is a drowning
a baptism
an act of mercy

continental divide

“I knew the tension in me between love and power, between pain and rage, and the curious, the grinding way I remained extended between these poles – perpetually attempting to choose the better rather than the worse.” — James Baldwin

May 23, 2017 (9:09am New Mexico)

I read all the names of the sacred rivers and creeks
as roadside memorials blurred into permanent mile markers
horizon x distance = distortion

horizontally speaking it was a longing
pressure folding into seductive resistance
when you knew you were in trouble, what did you do next?

these days and for some time since
I move with spiritual abandonment
neglect now atmospheric radiance

habitual as landscapes
my divided thoughts are pulled to you

washing machine

This is the start
a necklace of trees
the Chewuch River a soundtrack
borders carved by water’s edges
even the earth has curves

Then a door shuts
trapped in a windowless room
between bites of lunch
he argued the benefits of his pyramid scheme
this time the lure was perfume
previous closed door conversations shilled
vacuums, knives, and fire extinguishers

These moments
now shadow length memories
and quiet like fire
baptismal reflections
woven tight as narrative

From country darkness to city light
the water still glitters wickedly
we find each other in this way
our collective hardness
now exhumed as memorial
we are living loudly
an anthem and ritual that always repeats

versuchung

“The deep is in riot, the coastline is quiet…” Archers of Loaf, Chumming the Ocean 

Laura McPhee. Snowmobile Headlights, Valley Road, Custer County, Idaho, 2004

the entrance is always different
always dramatic, the clouds look bruised

chaos its own predictability
then a King of Cups tarot card was pulled

light appeared filtered as if from inside a cathedral
poetics expand silently like prayer

temptation deserves awareness
that feeling: listen

nested privileges
unwound to their most fragile state

this is ephemeral revelation

communion

sunsets are starting to look Pacific coast again
pink light lengthening its reach
as clouds become incarnations of stampeding horses

(apocalyptic if that is your orientation)

the crown of flowers was her own creation
made from remnants of first-date napkins
forming a graceful relationship to reciprocity

those echoes found delayed in repressed rhythms
where she returns to these kinds of questions
as murmurations as stimulations as exchanges

(our intimacies measured by exhale)

she dreamt in currency, in time
scaling up as undoing: euphoric
this consecration mine and yours

shame wars

Is irony the binary of literal?

Marta María Pérez Bravo - Para Ayudar a un Hermano (1994)
Marta María Pérez Bravo – Para Ayudar a un Hermano (1994)

Receptivity is a form and function of power.
Tree tops soften from light’s pressure as rays break to bend.
Collusive collaborations are their own manufactured commodities.
This contemporary capital vision is a muted song from the past.

Borrowed promises, fallowed lives, and lustful rationalizations are systemic desire lines, whose paths of consequence are worn clear. Your biases are showing. Bad.

We, all of us, are reclaiming pleasure.
Things are so intimate, so personal, these days.
Tensions and conflicts splayed.
We leave literary marks as evidence.

On whose authority is the question we need to be asking.
A different way of understanding omniscience. Please validate.

My sacred spaces need me.

Russian gossip

We ignore the narrator by only focusing on the frame.

Hulleah J. Tsinhnahjinnie, “The Promises Were So Sweet,” digital print on poly satin, 2010, Great Plains Art Museum Permanent Collection.
Hulleah J. Tsinhnahjinnie, “The Promises Were So Sweet,” digital print on poly satin, 2010, Great Plains Art Museum Permanent Collection.

The city moves, bends, and swallows.
An act of congress, a coming together.
He presented himself to me. I kissed, gently,
his upper thigh. Curated outfits, a collection of pants
and blouses, roll past me. Lunches bounce inside bags.
I keep writing to feel around the noise. Reinvested
memories, commitments, and occasional flashes of violence.
Internalized scandals are my own reputation to manage.

The train was crowded. No one could complain
about unwanted touching. I imagined her hand
moving slowly, without detection, up and between
my legs. Her fingers, warm and steady, found
their destination. Leaving behind permanent
invisible notes, secrets scrawled on the inside.
Messages shared as rumors as indisputable
associations like light shining through solid objects.

self-defense

Cy Twombly, Coronation of Sesostris, 2000
Cy Twombly, Coronation of Sesostris, 2000

It’s familiar. A disguise as common as the East Bay Bridge wrapped in a nest of clouds. We learn early to reinforce reductionist tendencies into a path of least resistance. They deny rules have been written down. We witness endless unrequited anticipations.

Promises of love remain unfulfilled. Your acts of caring were abusive. An informant, linguistically speaking, is the expert of a community. When I tell you the sun broke the clouds, spread them, cracked them open I want you to believe me.

We harvested each other. Consent became an avalanche. Absorbing your urges felt like being wanted. It was a match. A pattern. Magnificent corruptions of circumstances. I woke up afraid and believed I was loved.

These edges are sharp yet relaxed as confidence.
My hand holds your fist. Repetition an arc.
Self-care is self-defense.

elegant solutions

in order to feel adequate you cannot stop consuming
in order to feel adequate / you cannot stop consuming

 

shifting horizons changes orientations
desire one another to recognition

our cognizant bodies are protective
an arrangement as relational as structure

philosophical longing is its own psychic delta

organize

San Francisco 2011 (photo by Eric)
San Francisco 2011 (photo by Eric)
This suite of dreams found the deeply conscious.
Formerly languished tertiary emotions unfolded
into a familiar and comforting serial thriller.

Absorbed as volition, rapid moving transformations,
these dreamy stories have been thick with meaning
personified by you, his posture, and breathless repetition.

Looping back to vorfreude, I weave my own meaning.
At climax, I am literally haunted in mind and body.
Multi-sourced sensations are now hardwired connections.

It is there, that specific detail, translation finds traction.

holon

Christian Furr, That My Heart Should Explode with Tenderness (from the Juissance series), 2015 Inkjet with hand painting in acrylic with diamond dust on linen
Christian Furr, That My Heart Should Explode with Tenderness (from the Juissance series), 2015 Inkjet with hand painting in acrylic with diamond dust on linen

experts have named our environment “rape culture”
fueled by an economy that exports & imports incertitude
funny how even the state’s gospel won’t accept no
even with a sovereign request
another way fringed borders bleed reciprocity
thick as oil as war as water

desire can transform anything
corporeal physics as vim and vigor
like soft kisses melting hard intentions
it’s why embodiment alludes enlightenment
& landscapes matter when our eyes close
horizons become their own grounding binary

pressure is a gilded warning signal
jouissance its own casual experience
how deeply our metaphors inform us
as angels, as deviants, as complicit
love is in here somewhere, or should be

rain shadow

I’ll look deep inside to see if I belong with the men – Tarnished Angel, Silkworm

August 8, 2016 8:18pm
August 8, 2016 8:18pm

Danger and excitement can feel similar
to tensions at decades, leeward shelters.
Threatening as clouds as love is laissez faire.

I love you more today than yesterday.

untitled

wet
waiting to burst
low-flying clouds hang
this city visualizes virtually
while dreams bloom in analog

I must (screen capture by Atlee)
I must (screen capture by Atlee)

our breath is always moving
the pace of trees bending to find light

confession is my way of speech
the faithful will recognize these signs

she asked me about grief // I thought about honor

after extra time

Have you noticed love is always on sale and violence is on demand?

Oakland, May16
Oakland, May16

she dug deep, and still,
my hips held position

walking through clouds of words
hearing only “baby”

performing radical distortion, always inward
personally speaking, “no” is aspirational

** ** ** ** ** ** ** ** ** ** **

Lately, this fevered responsibility begs for:

  • cultural affection
  • mass-blessed kisses
  • wanting

** ** ** ** ** ** ** ** ** ** **

She wore tights the color of sun-hidden skin.
I stole touches. Even in stillness, the body has a beat.
Oblivion’s call such a tempting response.

die vorfreude

She called exactly four hours after the earth stopped moving. While we waited for contact, wave after wave, we sat. Through repetition and capture, we learned how to stay constantly aware. It was a lesson worn familiar as the day when I gave my soul away. An unbecoming strategy for some; survival for others.

Protecting misgivings and intentional reactions, we spent our days building machines that ran on unrequited syllabic utterances. Flip back, back track, forward leaning free verses flowed as patterns, as privileged misdemeanors. Our hearts grew to beat metaphorically.

After pausing to ask how the earth breathes under the weight of concrete, she said act like you’ve been here before. It was a coded reminder of our legacy. A collective fantasy replicated endlessly in anticipation for moments we never took the time to define. For some, wanting more is our purpose.

transgression remission

september 10, 2015
september 10, 2015

I want to know what happens after the scene.
After the play ends. Which position do you assume?

That morning the City reflected transformation.
A kindness from and because of suffering.

I know. I know. I know.
Those words, their rhythm, influence me.

The water moves against itself; I forget to breathe.

divination

I’m going to ride your heart – Bleached

south dakota dec11
South Dakota Dec11

Have you noticed our conversations are almost always about safety?
Will you listen to that fear? Will you listen to my need?

fighting what feels natural
what has been conditioned to feel good
finding providence
hard-won wisdom

What imagination led us here?

he said practice creates habits
a reference to his dangerous life,
a prophetic retrograde

excelsis

We are taught someone has to lose.
Perpetual calculations of how much we allow
in contrast to what we can’t take anymore.
Revery forbidden, outwardly.

I feel nothing but desire to keep myself whole.

Our collective resentments (cultural backlash)
form dysphoric protests, an occupation of complexities.
Mass wish fulfillment to move beyond fear, imagined and not.
In excelsis, suspended.

erotic plasticity

behave_Elizabeth Isley
Behave_Elizabeth Isley

An embroidered pillow littered the interstate
along with an unpartnered shoe and other items
mostly unseen like kisses blown into ocean currents
(small reminders dividing our morning gaze)

I am worth showing up for
bound by all those quiet erasures
pulling towards shame in order to remain prone
a worship of sorts, a ritual formed from survival

a lous péché miséricorde
an intimate maxim linking mercy to sin
suppressing repressed domination > perceived value
as artificial as the light and politics we are surrounded in

enough

“We need, each of us, to begin the awesome, difficult work of love: loving ourselves so that we become able to love others without fear so that we can become able enough to enlarge the circle of our trust and our common striving for a safe, sunny afternoon near to flowering trees and under a very blue sky.” – June Jordan

August 7, 2015
August 7, 2015
The truth?
I knew a long time ago.

I shouldn’t deny that I don’t practice conscious love. I do.
All those times when I said no.
All those times I said yes.
All those times worth was mine to know.

July 12, 2015 (photo by Atlee)
July 12, 2015 (photo by Atlee)
“Use the power of man. Use the word. Fuck. The word is love.” – Kim Gordon

over OK Feb16
over OK Feb16
Overhead, the backyards had pools and trampolines.
A land of only oxbow lakes.
A land where delayed gratification is a religion.
A land where there is no sympathy for the devil.

politics of owning

“Write your self. Your body must be heard.” Helene Cixous (1975)

How much of our wants are manifestations of neglect?

Inside this somatic posturing, this restless hustle, our bodies are celestial. Distillations of notional constellations open and wide.

It is true: commitment is not exclusive to monogamy.

caesura

Come prepared.
Always dress your best
for the world may end.

Nikki McClure
Nikki McClure
The days hum, a frequency (consistent).
Flashbacks are low-grade returns.
There is seduction in being loved.

There is always something you can learn from an interruption.
A moment when clarity finds you knowing.

æsthetics

“Between us we create a circle of something like worship, a ritual of mutual incarnation.”   Mykel Johnson from “Butchy femme” in The Persistent Desire: A Femme-Butch Reader  

Kiri Dalena, Erased Slogans, 2008-2014
Kiri Dalena, Erased Slogans, 2008-2014

We declaimed those who seem to own their identities so easily while affirming our own temporary status through amateur gif porn, bourbon, and sunburns in the unlikeliest of places – like the bend of your elbow or the middle part running across your scalp. Furiously finding ourselves up against our will, again and again, we realized much later how these proxies for desire, unfolded along an axis of repression and deviance, were sublimated into online conversations and polished stories shared in darkened rooms that no longer play the music we recognize.

I have a memory of you exhaling this is it for me onto the back of my neck. It’s resurrected as I sat sandwiched between stores filled with cheap shoes, bed fashions, drugs and groceries. In my direct view a poster warns, Don’t think, know. Another flashback holds a detail of strategically opened windows that bragged to your neighbors about our business, which was more carnal than intellectual. Others wane simply as background noise. Some are so intimate they can only be expressed as secrets found in between the way we choose to embody vulnerability and the actual practice of being authentic or the way these specifics are mine to own and tell.

—————————————————————

breath/control

rhythmic
breathing, a song –
a strategy for calm
inevitable after such
habits

follow the breath

Absence opens possibility.

We gather inside and treasure light. We are enamored with the hues of soft pinks and peach oranges that have lengthened during this seasonal rotation. Yes, we do have an agenda, a way of being, of feeling seen.

While shadows form, for they provide their own value of shelter and comfort, we scout for interdependence. We want transformation not assimilation. Our politics disrupt, express, reconceptualize desire and power. It’s a decentered practice. A rebellion.

What we seek is an acknowledgment of the complexity of difference and an orientation that does not ignore a reality that is relational. All of our connections, regardless of intimacy, physicality, and emotional depth are nonnegotiable and non-hierarchical.

Our resistance depends on it.

quiet hearts

Berlin Aug14
Berlin Aug14
Technically speaking, reflections cannot absorb.
We are even in that regard.

Some memories start with an act of god.
They have become sacred.

How graceful we can be with that nostalgia.
Lest we forget our worth depends on it.

harbor

threads
knots
unravelling builds strength

misogynist men keep wives to seed the next generation

we is first person plural
as a twin, this feels political and personal

oh haven of somatic resilience

what if lust is a reaction of little understood consequences?

The stones of Örelid, an Iron Age burial ground with standing stones in a field of rye, Sweden, 1930
The stones of Örelid, an Iron Age burial ground with standing stones in a field of rye, Sweden, 1930

means

 

April 11, 2007 Port Angeles, WA
April 11, 2007
Port Angeles, WA

 

It’s more exciting
when you believe
there is no purpose in life.
Nothing destined; nothing gained.

suffix

“Because there’s 40 different shades of black…” Pavement Elevate Me Later

Found at the Melodee 2-28-15
Found at the Mel-O-Dee
2-28-15

I promise to hold your gaze, even those that are unwanted.
Or the erotic retelling of my life as told through your eyes.

2-15-15 1:12pm
2-25-15 1:12pm

I.
It is the specifics that matter when we confess. Some may believe that is enough. The confession is the means to the end. But what would happen if we thought of that release as the beginning?

Until that expositional moment, those words, thoughts, opinions are internalized truths that are ours alone to own and to hold. Now they are all of ours to absorb, to manage, to learn from, and to let go to make room for what we do not yet know.

II.

Please forgive me. I did what I was told to do. I was bound to pick up bad habits after all those hours of witnessing evangelizing and attempts at redemption.

I was taught over and over again, no matter what I did, I was never going to be good enough. I was taught my body was not mine and out of my control. I am just now understanding how much obvious violence, subtle and insidious, is needed to give your soul away.

III.

There is a primacy in this ritual of naming, recording, and distilling into something that only I understand. I won’t be so naive to think that a mirror’s only job is to reflect.

IV.

Geographies contain multipliers.
They are containers of dreams,
a space for visions.

It’s where we found and honed our instincts.

call me

“I make certain that my head is connected to my body.” – Minutemen, It’s Expected I’m Gone

artist: Johannes Huwe
artist: Johannes Huwe

At one point in the evening the phrase “prone to invasion” slipped past your lips. It tumbled forward and danced around until I realized it was a reference to Poland, and then it meant something else entirely different. At least that’s the way I remember it.  The way my body froze at the gendered implications of such a legacy that is so ordinary and so common that there is no insurance to prevent it from happening. A form of dissipation found the moment when there is nothing to do but take the next breath. That kind of static state is familiar. It was the same sensation as when I recognized the end of the sermon was close because the preacher moved us towards righteousness and away from forgiveness.

interlude

It’s been a rush, as in glamour or gold.

Naked Lunch 1.16.15
Naked Lunch 1.16.15

This week the morning sky met the Bay by gently laying on top of itself. Low-hanging clouds smelled of cheap cologne, saturated with the kind of hope that only comes from peer pressure or digital capitalism or the start of a new year. The price of oil is less than $50/barrel which means the Financial District’s transactions have had less swagger. Instead calculated bets are placed on commodities like complex sugars, protest, Taylor Swift, and war. Pipelines born from speculative fiction landscapes are on pace to divide community from livelihood.

What if what I’ve been wanting is to find love in that space found between deep breaths? A capacity just beyond the quiet terror of behaving. A boundary traced around dangerous desires.

a retrospective: this should be sung

Our secrets are exposed as nervous laughs and sighs of hope.

Hope is the energy that fuels this story of how we got here, or maybe this story is really about how we have changed in the process of wanting more. If hope is the energy, then gratitude has been the structure from which we are able to draw breath on our own.  I have finally accepted that this light, with its various hues of apricot, and if fortunate, shades of ripe grapefruit, warms by promising new beginnings.

This was a year of submitting, writing and then revising; asking for it because I wanted; and taking breaths so deep my lungs collapsed. There were days I woke up broken, days I did not know how to sustain vulnerability, and many more days I woke to an acute feeling of being alive, a feeling deeper than bruised bone. I was witness to fog so grey it pulled the blues from the Bay.

These dances, this rhythmic gradation of give and take, have transformed old fault lines.

Below are ten things I’ve learned during this cycle around the Sun:

  • the best decisions are the ones that fade the quickest
  • immolation through the act of pressing pen to paper is my valued haptic practice
  • the knowledge I have embodied was shaped by intimate failures
  • crosswalks can be catwalks with the right song in your ears
  • bravery manifested has exponential rewards and consequential risks
  • justice is a habit I can’t break
  • inability to forgive yourself is a cardinal sin
  • it is true that the world continues to revolve with or without you
  • how we see matters
  • I really enjoyed eating a blueberry muffin naked in front of you

This post is dedicated to nearly nine years of maintaining this space of inquiry and intentional deconstruction. I wrote to survive, to have a voice. Each sentence is an act of breath, a release of internalized tension and anxiety. This call and response has been my baptism by epiphany.

emperical

My mind settles on what it knows.
I hear voices.
They force me to calibrate how often I do not listen.

Separating the personal from perception
a series of justified decisions
folded into fixed patterns
flashbacks of dissociations

Similar to our attempts to escape
only to have resulted in capture
like that summer when the light never disappeared.

Tension born from lust disguised as domesticity
has become an intimate style of familiarity.
Finding peace through erasure is luxurious.

All of this, including what is still yet to come
leaves behind delicate traces, reminders of permanence
like faint marks on paper maps and open hips showing scale and distance.

love

artist: Michal Chelbin
artist: Michal Chelbin

There’s so much going on and still the government sleeps.
America’s culture is the world’s expert
in finding innovative ways to not treat each other kindly.

I am saturated.

This time it is different. I know what it means when stakes are raised.
I want to break through this meta narrative and ask you a question.
Do you know what love is?

I do.

testimony

artist: alfredo piola, atlas
artist: alfredo piola, atlas

Her fingertips graze the sides of buildings
quiet marks claiming her territory
suggestions of boundaries
constricted territories
a pathology

There is a series of memories filed under trust
under the general category of vulnerability
ways of being
active manifestations
an embodiment

Like water is to wine, it takes faith to expand
beyond perceived limits and social protocols
enduring epiphanic baptisms
charting margins
my testimony

to my credit, I did not go down easily

I walked out the door
dressed like a Rothko painting
aware only of my breath
your perception and daily raptures
drawn from sleep’s soft embrace.

We hold self-evident this reality:
empathy and awareness are symbiotic.
Creating community by collecting dissent
binaries marked as final frontiers
unstable boundaries defined within all.

I know why it mattered
when I told you no
when you heard that statement
absorbing the impact of my autonomy
how it illuminated conscious desire.

This quest for clarity engenders
interactions as intimate binding agents
expressions of survival’s promising narrative
buried minutia exhumed as elucidation
knowledge that creates rapt perceptions.

gateways

Skirt Split, 2004, Rebecca Veit
Skirt Split, 2004, Rebecca Veit

Belonging is a complicated emotion when you believe in evolution. Some are left behind, they were meant to shape you in that way, some never leave.

The process of memory making is based on the function of desire. Some are created at will, curated for that purpose, some are forged from static circumstances.

There is so much to fear and so much to gain when home is retrograde. Crystalized as realizations – remember preferring light to sun and syzygy to eclipses?

If I continue to remember, it guarantees I never forget. There were words said, words that hurt more than touch, and the origin of my continued resistance.

silk slip covered bruises

Artist: Masao Yamamoto
Artist: Masao Yamamoto

I learned the hard way
how to measure concrete’s rebound hardness.
I remember only gravity and deliverance.

I want intimacy expanded.
Like lungs
struggling to breathe
your embrace
dissolves my disgrace.

how we see

Is there a tipping point for consciousness?

not glittter
not glitter

it was like honey
augmenting understanding
fueled by confession

understanding the
ways of gravity, orbits,
rules of attraction

counterbalances
magnificent appetence
a revolution

tension of being there

artist: Love Light
artist: Love Light

Echos of news surround us.

That’s why we’ve learned to trust the sources that are closest to us; we assume them to be less distorted. There is catharsis in hearing our own voices.

Internalizing warm winter light’s revelations and recognizing our shadows are valuable endeavors this time of year.

I’ve recently calibrated how I think about boundaries; setting them and maintaining them. Initially, I saw boundaries as limiting. They had been described as methods to protect and ways to feel safe but that assumes too much maintenance on the individual end.

I am left wondering who holds the accountability.

We grow up learning about consent and boundaries the minute we start breathing. We learn the hard way or not at all.

I now see boundaries as better ways to make choices. They are not barriers but starting points. The borders that defined my early existence – rural, isolated, working poor, father’s anger, mother’s depression, lack, distance – so clearly shaped my understanding of choice and, what was often the case denial, that I feel no shame in coming to such an obvious conclusion so late in life.

I wish only to revel in this renunciation of limits.

tethered by the memories of breath

detail_green window

For all those times
I wanted to kiss
your ghetto mouth,
I dedicate
tomorrow to you.

The sunsets are:
harmonic discourse
amplified reflections
amorous endings.

I am missing the thoughts of you.

The chill reminds me of:
warm hands
good stories
purpose.

I want to believe
certain decisions are mine
to make
but know why that isn’t
always true.