born from a place stubborn as time
untamable as the patience of trees
a place whose history begins with land stolen then plowed
now transformed to weed-filled lawns anchored by rusted swing sets
as early-to-open Main Street bars drown committed repentance
a place where there’s nothing left to let go
where abandonment is a reluctant hero
& stacked clouds convert prayers into myths
like there can be no forgiveness for sins
we commit against ourselves
“But your pleasure understands mine.”
— Clarice Lispector, The Sharing Of Loaves
at 39,000 feet clouds rose like mountains
fading to dark as the blushing sun set
then black as the thinnest winter ice
we learned to turn our wheels into those slick black icy slides
our seasonally practiced knowledge was validated as grace in chaotic transitions
when done correctly, such surrendering was active evidence of a survivor’s effort
in spring, we planted rosemary to remember our deepest buried beliefs
we harvested fresh-picked bundles and revised our most shadowed secrets
like wanting nothing but distant empty horizons and bodies that do not betray
we sculpted those now altered thoughts and declared them working dreams
trusting that our shared wishes for a braver future were coming true
[A]s my mother used to say, if wishes were horses, women would ride.
— Elspeth Probyn, Outside Belongings (62)
The prompt was bold: how do you embody whiteness? My heart froze knowing that some of my truth has no accessible language.
So I thought about how we grew up nowhere, or more accurately, we lived around no one. A place where you learn orthodox norms, where conformity was practiced as integration. A place where we conversed in churches or homes, and almost never on the long road in between.
The days take flight and return again.
My writing practice captures moments, and contain all kinds of shadowed referents, insurrections, and commitments. There’s a way this claiming expands space to repurpose perfection. A response to how surviving trauma from decades past seeps into what I believe is real and how I frame what is just. I’m not afraid to tell you why my fears are justified. I have a story to let you know why this is true.
I am left wanting. I know dissonance can also be harmonic despite its agreed upon definition. There’s room in that idea to breathe. To release orchestrations that dance around forgone conclusions.
Weeks ago, I wrote: don’t let me forget where I came from and the day before that: resistance to belong a furious understanding. I read these reminders, now, as culturally weighted influences. Next week, I will be in Berlin. A city that embodies trauma and healing’s relentless journey. A city where Audre Lorde taught, organized, and loved. A place of intentional inquiry.
cache culture is a collectivized monograph of intentional inquiry. A place to find my way in contemporary American culture. A place to expose how my gendered body has historically been named as white. I post curated moments that reflect culture and place because that’s where belonging takes root. My roots grew deepest in South Dakota, Ohio, Washington, and now California.
Berlin’s calling and its collective response is another cache.
I will be carrying William Stafford’s advice with me, but one of many influential guides on this poetics inquiry.
“We all share, in art. And to be worthy artists we must be ready to look around, give credit where we feel it belongs, help each other maintain that sense of community that will maximize whatever vision we are able to find and share.”
Deep in their roots all flowers keep the light. —Theodore Roethke
these broken pieces are their own ritual
spirals of coping mechanisms
I’ll give you something to cry about was a challenge, a threat, and a promise.
Your unmasked emotions always carried a visible regret.
These thoughts came through, wide-eyed and unaware of their tardiness.
Flowing the way water finds the least resistance, crooked and illogical.
first there were wild-maned horses on frantic wide open horizons
followed by scratched, then abandoned, lottery tickets turned city sidewalk confetti
both are remembered as tender memories so as not to tear open violently
in the same way a new moon rising is full darkness and as obvious
as even the smallest bird creating their own shadows in flight
In the distance, cars traveling the freeway became an auditory illusion of waves successively breaking on a transitory shore. The vehicular friction of simultaneous opposing directions creates a lullaby of persistence. Out of that euphony, a collective future sways.
Scientists agree that’s why our horizon is in flux.
I am from a place where personal belief in immortality shelters empty and expansive isolation. A place where desire modestly tucks itself into sanctioned quiet spaces. Its slow release is championed as strength, a virtue. Imagine all that repression sharpened into secret symphonies. How the fantasy of that released deviance dances in mortal bodies designed to betray through lust.
We return to where we came from.
There is purpose in the orchestration of such retrograde energy. As that motivation braids itself to creative practice, my habitual search for external validation has gone missing. This translation, more joy than sorrow, is a different remedy for endurance. The harvest is ready and yielding.
experts have named our environment “rape culture”
fueled by an economy that exports & imports incertitude
funny how even the state’s gospel won’t accept no
even with a sovereign request
another way fringed borders bleed reciprocity
thick as oil as war as water
desire can transform anything
corporeal physics as vim and vigor
like soft kisses melting hard intentions
it’s why embodiment alludes enlightenment
& landscapes matter when our eyes close
horizons become their own grounding binary
pressure is a gilded warning signal
jouissance its own casual experience
how deeply our metaphors inform us
as angels, as deviants, as complicit
love is in here somewhere, or should be
the mountains found solitude
spooning each other to hold their gaze
while hills white from not-yet-risen clouds
were in contrast to the Bay warming blue
grateful for forgiveness and forgetting
time as construct, a gravitational force
wrapped around desire, momentum, abundance
absence has pulled your energy elsewhere
away from me
every day we show our stories by waking
under cloudless skies as nests of nests
of birds clamor and inspire the cat,
a product of us: neglect and minimal care
unencumbered with material fancies
all this and things undiscovered
guide our personal rhythms (fulcrums/hips)
like how our body’s most graceful state is to be at ease
unlike that first summer we drove across country
with every possession we assumed we would need
The voices most common to me end with the sound of a question.
It’s that curl at the end, a curiosity unspoken.
There’s a particular consciousness when I hear that familial cadence.
Prompts that possess risk and assumed uncertainty.
The sun was an escort that morning.
A morning with purpose and mummified mandarins.
This and other routines becoming orientations –
a private relationship with temporality.
In silence, I see violence.
In breath, I think sex.
In the pornography of my dreams,
you know you can’t fuck me like that
and then act like I’m fragile. That is
a subtlety best reserved for detachment.
His accusation that my hole was filled with everything
but god was profound, if only for its blind accuracy.
The contents of that enclave signifying nothing beyond
a persistence to reject his god that does not know love.
Wet ice formed on frosted car windows that late night I prayed
for him to save me. We were finally on our way home from somewhere
staying longer than they had wanted. Leaving behind one tension,
that kind of politeness, for drunken silence, his version, not ours.
Barbed wire fences reminders of distance from road to ditch.
Three years ago today, it was a nearly nude fashion show, and four years ago doing my own thing found itself on a “good things” list.
Do you know if the richest cities face west? What if we found settlement in a such a place?
Weeks form around us. Patterned reconciliations, memories of bus rides in other cities, different exchange rates. Those were my hard gained needs.
From your perspective, I cannot exist. Shifting your vengeance, a cruel blindness, that’s the type of aggression I inherited now abandoned for gentle privileges, useless hardwired knowledge, plotted along sensitive geographies. Navigating scripts, a dialect of claimed silences, lulling like waves like violence like survival. We have always carried this resistance, this method of rapture.
It was the way you disappeared. There was a strategy to it.
I’d tile this chapter: collapsing just short of understanding. Every day forged into an act of hope, not to be confused with faith. The mountains, when revealed, were tucked into each other and clouds pale like bone. These people we’ve become feel unconsciously different. We are borderline confident.
We waited together inside the bus stop. She told me teenage boys filmed her instead of letting her know her car was on fire. This is after we both agreed Jaguars were the coolest because of their hood ornaments.
When she walked off the bus, she said: be careful with who you bring into your house and watch who they invite in.
“Because there’s 40 different shades of black…” Pavement Elevate Me Later
I promise to hold your gaze, even those that are unwanted.
Or the erotic retelling of my life as told through your eyes.
It is the specifics that matter when we confess. Some may believe that is enough. The confession is the means to the end. But what would happen if we thought of that release as the beginning?
Until that expositional moment, those words, thoughts, opinions are internalized truths that are ours alone to own and to hold. Now they are all of ours to absorb, to manage, to learn from, and to let go to make room for what we do not yet know.
Please forgive me. I did what I was told to do. I was bound to pick up bad habits after all those hours of witnessing evangelizing and attempts at redemption.
I was taught over and over again, no matter what I did, I was never going to be good enough. I was taught my body was not mine and out of my control. I am just now understanding how much obvious violence, subtle and insidious, is needed to give your soul away.
There is a primacy in this ritual of naming, recording, and distilling into something that only I understand. I won’t be so naive to think that a mirror’s only job is to reflect.
Geographies contain multipliers.
They are containers of dreams,
a space for visions.
In a book that has nothing to do (at least not in an obvious way) with Nietzsche, I learn that he believed “philosophers tend to write their memoirs in their theories.” That feels like a well-known secret, an existential tenet.
That’s probably why I write about light so much. The sharpness of every one of those mornings when I realized I survived. I was alive. My breath my own. And rhythms. The way give and take should be an invitation. And the different shades within sadness. Understanding how much we had to absorb to get to the point of saturation. And the violence around silence.
There’s so much to tell you which is another way to say: vulnerability. Have you thought about how the intimate architecture of being out of body serves a purpose and the faith it takes to manifest this into pleasure? Why failures can quickly become ways to feel safe? I want to ask questions that lead to answers, or at the very least have a chance to form structure to a conversation.
In the end, this is simply a way to theorize this week’s memories into something concrete, into something I want to remember. I want nothing left but the details of how deliberately the sun slipped behind the ocean horizon and how the blue darkness now holds all my wishes.
Think about how many details we leave out when we tell stories about ourselves. Those intimate moments where spectacle meets nuance. All those ways we understand dimensions as coordinates – maps of contested margins. I don’t assume you read any of this, which is why I can be so matter-of-fact.
In fact every Sunday, until I found an alternative, I learned about the consequences of taking things literally, from a biblical perspective. It was my orientation to the world. Now, I find myself drawn to phrases like loving witness and learned that the prescribed strategy for getting out of disasters is to help yourself.
We are racing to the airport. I am anxious. She tells me her depression is incurable. So deep that strapping electrodes to her brain won’t help, or if it did, it would only be temporary relief. So deep that she can’t wash knives in the kitchen sink when the bottomless darkness sets in. She can see herself slashing herself to death, making the motions, trading hands to make the gestures of listening to those urges, one hand always on the steering wheel. She tells me she is no longer afraid to die and that is how she has been able to survive.
As the sun sets California Orange, I am grateful for the Post Office. This is a dispatch so I will keep it short. I wanted to say the only difference between elegy and eulogy was the degree of reflection. Also, I learned that I should ask more questions before saying yes; the word agamy is an apt descriptor for me; and setting plans in motion is its own thrill.
The blood drops formed a heart on the park bench. It was a sign to take risks.
We recorded a 4-track EP in the just vacated bedroom
a sweltering Ohio afternoon where rhythm and breath
became an archive of calculated structures –
bridges that spanned across bruised childhoods
finding similarity that escalated our emerging independence
Years later as the electric bus hummed
then quietly accelerated
its fading noise triggered new ways to say the same thing:
foggy windows a result of leaving warm beds
spread legs transitioning from suffering to kindness
These quiet disambiguations of faith
and its partner optimism
underscore an intimacy that needs a chorus
and a choir of communion
She carries the sins of her ex-husband and her father
bearing the weight of her complicit silence and denial of violations
transferring her penance through strudels, kuchhen, usually prune, and dumplings, savory.
She assumed responsibility for our care, just as she had done for my father
sheltering all four of us in a one bedroom with galley kitchen
occupying our despondent abandonment with movie marathons, all rated restricted.
She predicted my mother was never coming back to us or to our father
revealing her own resentment at the possibility of having that kind of freedom
submitting to the sum total of stubborn experiences and lack of choices, obstructions.
In the silence of consciousness I asked myself:
why did I reject my life? And I answer Die Erde überwältigt mich:
the earth defeats me.
I have tried to be accurate in this description
in case someone else should follow me. I can verify
that when the sun sets in winter it is
incomparably beautiful and the memory of it
lasts a long time. I think this means
there was no night.
The night was in my head.
Louise Glück | from “Landscape”
I want to lay to rest what I saw and felt when I went home almost a month ago. A home that was a desperate sanctuary during those teenage years of economic struggle, maternal abandonment, and good old fashioned repressions of thought, body, and spirit. I feel compelled to honor those sharp memories of family, community, and those intimate transgressions between loyalty and independence.
I’m old enough to know better that I should not force this process of internalization and still I desperately want to name these experiences. I don’t know how to own them.
The endless landscape connected by bridges and resistance shaped my core sense of self. I returned with an embodied joy in knowing conscious disobedience yields revolutionary results. I may have adorned myself with fancy theory and identities that I have fought to name in my own words but the class I was born into, that binding agent of perspective, is unescapable.
For now, I distilled these details:
my grandpa did buy a car with only silver dollars (two cars in fact!)
my value was defined by others who did not exist (husband and child)
survival is predicated on silent obedience of unquestioned rules
broken sidewalks paved a geography of constrained despair
if you look up and out, the clouds will guide you
I’ve always been this way
the consequences of choice matter and language continues to fail me
We joke about taking it all the way as the planets revolve around us. Facing one another, like borders, we exchange memories as cash and carry each others extremes to calibrate our balances.
In What Is Found There, Adrienne Rich notes that the core of metaphors are “resemblance in difference.” And Gloria Anzaldua said, “The resistance to change in a person is in direct proportion to the number of dead metaphors that person carries.” There is much to explore within these spaces of similarity and syncretistic juxtapositions. Metaphors are essential ingredients, catalysts really, that shape how we will tell others what we see.
Navigating aspects of a culture, one that feels more about reading and performing than being, only partially explains my reoccurring dreams of stairs. Traveling east to the prairie to fulfill a mission that will close a chapter of home that has few memories that aren’t seeped in melancholic filters may be another immediate interpretation. It’s equally likely, and as obvious, this vision is based on that lost time in Chicago. The recalled memory is only violent sound: bones on concrete.