monograph

 

[A]s my mother used to say, if wishes were horses, women would ride.
— Elspeth Probyn, Outside Belongings (62)

New Orleans, October 2017

The prompt was bold: how do you embody whiteness? My heart froze knowing that some of my truth has no accessible language.

So I thought about how we grew up nowhere, or more accurately, we lived around no one. A place where you learn orthodox norms, where conformity was practiced as integration. A place where we conversed in churches or homes, and almost never on the long road in between.

The days take flight and return again.

My writing practice captures moments, and contain all kinds of shadowed referents, insurrections, and commitments. There’s a way this claiming expands space to repurpose perfection. A response to how surviving trauma from decades past seeps into what I believe is real and how I frame what is just. I’m not afraid to tell you why my fears are justified. I have a story to let you know why this is true.

I am left wanting. I know dissonance can also be harmonic despite its agreed upon definition. There’s room in that idea to breathe. To release orchestrations that dance around forgone conclusions.

Weeks ago, I wrote: don’t let me forget where I came from and the day before that: resistance to belong a furious understanding. I read these reminders, now, as culturally weighted influences.  Next week, I will be in Berlin. A city that embodies trauma and healing’s relentless journey. A city where Audre Lorde taught, organized, and loved. A place of intentional inquiry.

cache culture is a collectivized monograph of intentional inquiry. A place to find my way in contemporary American culture. A place to expose how my gendered body has historically been named as White. I post curated moments that reflect culture and place because that’s where belonging takes root. My roots grew deepest in South Dakota, Ohio, Washington, and now California.

Berlin’s calling and its collective response is another cache.

I will be carrying William Stafford’s advice with me, but one of many influential guides on this poetics inquiry. “We all share, in art. And to be worthy artists we must be ready to look around, give credit where we feel it belongs, help each other maintain that sense of community that will maximize whatever vision we are able to find and share.”

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