He said he was going to take a walk around the block to clear his mind. Stretch his legs. Escape. He never came back. A map of states’s preferences for corn or potato chips forever frozen on his desktop screen.
Battle for references, a retirement to the absence of —
On Wednesday, I was reminded artists should “support each other religiously.” This community-level policy is seductive, whose root is “to lead astray.” Oceans of context transfer nervous energy. Is thinking out loud unprofessional?
It’s come down to semiotic analysis of utterances. This weekly cathartic release looping endlessly to create a low frequency hiss. A similar process to the way valleys take the weight, form, and shape of foggy mornings or as secure as refuge.
you got no fear of the underdog / that’s why you will not survive – Spoon, The Underdog
Artist: Beth Cavener. Trapped, 37 in. (94 cm) in length, stoneware, paint, 18k gold, rope, wood, 2015.
This violence looks good on you. Fitted. Proper. My opinion, of course.
All apologies have been returned to sender. Transparency is seasonal.
No stability is guaranteed. Can we at least agree it is sacred territory?
This is a good-bye letter. My reasons rolling out like smoke from fire.
I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can’t see from the center. –Kurt Vonnegut
“Last year. Last night. I’m tired. Let’s fight.” – Superchunk Yeah, It’s Beautiful Here Too
I was radicalized. Force-fed ancient beliefs. Required to center sin instead of self. Drank from an endless well of false promises – an afterlife.
Then I learned the sun holds all our light. Holy fact: sunsets are 8-minute delayed images of an absent sun. Divine visuals of calculated perspective.
Beg for satisfaction. Wring hands and gnash teeth. Look past stains of neglect. Ordain historical trauma as profit. Prick arousal.
One morning, after I left, I walked into buttery light. The City coated in its luminescence. Clouds billowed pink and shone unconsciously.
Acknowledge how ghosts bleed out.
Embellish for clarity’s sake.
Honor nothing but this subtle effort.
If you are a private poet, then your vocabulary is limited by your obsessions.
— Richard Hugo, The Triggering Town
hedonism (the ethical position that pleasure is the ultimate goal and greatest good, and should be the central aim of all decisions made) by genis carreras
It’s a fact. Cycles sync. It is October, 2016. The word pussy is in our mouths again. Full and heavy bodied, it’s paired with a specific violence as naturalized as an inherited ownership tone. This is the fetishized frequency of law and order.
*** you’ve got to stack it so it’s stable – Low, No Comprende ***
So this is what whiplash from a mass capture of imagination feels like. A forced common image. Pussy, for now, functions as an ironic partisan anchor, while still maintaining its gendered significations.
What is the whole of this historical objectification of our parts? Patriarchal logic argues that this violence of disassociation is necessary and even desired. This detachment is inherent in our economic theories, consumer-based language, and mass-produced representations.
We learn, repeatedly, there are far more serious and urgent issues to concern ourselves with than ritualized gender-based violence. We are dismissed. We are told to question less and obey more.
*** underneath this hood you kiss, I tick like bomb – Perfume Genius, Hood***
We perform this idealized creed through a perpetual liturgy of demure expressions in a culture that protects mobs of high-volume denials. This contemporary shrill masculinity is socially recycled into discourses that tap into an idolization of individual perspective. For most, this illusion only creates isolation.
Manipulating the dark side of vulnerability isn’t a new strategy to win elections, or maintain control. What feels different this Presidential election cycle is the dredge of cultural material to mine and the hypervoyeurism that has been produced. Public and private boundaries are as unstable as our contemporary understanding of when virtual becomes reality.
As we bare witness to the misogyny that rages beneath all our sacred institutions, may the soundtrack to this ride to November include Magnet by Bikini Kill.
I’m keeping this advice on a loop: I’ve got the love that’s strong and not weak.
“Because there’s 40 different shades of black…” Pavement Elevate Me Later
Found at the Mel-O-Dee 2-28-15
I promise to hold your gaze, even those that are unwanted.
Or the erotic retelling of my life as told through your eyes.
2-25-15 1:12pm
I.
It is the specifics that matter when we confess. Some may believe that is enough. The confession is the means to the end. But what would happen if we thought of that release as the beginning?
Until that expositional moment, those words, thoughts, opinions are internalized truths that are ours alone to own and to hold. Now they are all of ours to absorb, to manage, to learn from, and to let go to make room for what we do not yet know.
II.
Please forgive me. I did what I was told to do. I was bound to pick up bad habits after all those hours of witnessing evangelizing and attempts at redemption.
I was taught over and over again, no matter what I did, I was never going to be good enough. I was taught my body was not mine and out of my control. I am just now understanding how much obvious violence, subtle and insidious, is needed to give your soul away.
III.
There is a primacy in this ritual of naming, recording, and distilling into something that only I understand. I won’t be so naive to think that a mirror’s only job is to reflect.
IV.
Geographies contain multipliers.
They are containers of dreams,
a space for visions.
