electric hum

How good it felt: to want something and
pretend you don’t, and to get it anyway.

—last two lines of Cristin O’Keefe Aptowicz’s “July

“Whose Values?”, Barbara Kruger exhibit, Getty Museum, July 2015

Trust your gut. I don’t want you to get lost in the details. This is a map, a blueprint, a ledger of interactions, process or form or whatever you’ve been taught to see.

Guests of former selves clamor. There are fires and no water. Heat domes and variants. Return-to-work and shelter-in-place. Critical race theory and Big Lies™. Long division and 4th of July car sales. Blueberries are rotting on the bush and border theatre sells out. The routine of keeping it together. Line by line, word by word, click by click. 21st century prefabrications.

How can I hurl myself deeper
into this life

—Ellen Bass, “The Long Recovery”

I’m a maximalist by virtue. I want more than an average understanding. I’m the oldest daughter of an amateur bull rider. Surface-level commonality is temporary as an ocean wave. I want to be like the tides, consistently influential to the point of unforgettable. Inverting the fates, nothing unimportant.

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