time bound

How quickly can one dispense with the old bargains between defense and desire, adapting to a regime whose rules provide no felt comfort?

— Lauren Berlant, “Cruel Optimism”

Helena Almeida, Sente me (1979), screenshots from Film von Sylvain Bergère

Inside this temporal state,
habitualization is the climax.
To date, public misery
is not officially worthy
of monuments or accurate measurements.
Finely stratified, your and my collective
future—active emptiness—is its own
embodied aleatory performance.
But what are we supposed to be
doing with this time?
Such insinuating can feel negative,
counterproductive as misdirected desires.
Overstimulated, I beg for revision
rather than tempt resolution.
These present hours unknowing.

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