“the first 50 hours of resurrection are beautiful,”
says the man holding the door
–Tongo Eisen-Martin, excerpt from remove my heart racing, and babylon is fine
we learn to trust wars: trade, sex, cold. as acceptance forms rules, we smooth out the most deprived ideas and prioritize all threats as urgent. in theatres of conflict, repetition is grandeur. this translation officially makes mob landscapes familiar.
that’s why when your hands brushed against my sharpest edges: my heart, my gaze, my inordinate sense of danger; I felt intimacy performed as spacial intervention, an interlude. your fingers interrogated and found hard answers wrapped around tender legacy. we became undone. mapping unearned dreams onto each other’s gravitational pull, an attraction, we made our own stars.
future philosophers will discover these tensions and name them holy