trade wars

“the first 50 hours of resurrection are beautiful,”
says the man holding the door

–Tongo Eisen-Martin, excerpt from remove my heart racing, and babylon is fine

artist: Helen Nishi

we learn to trust wars: cola, sex, cold. as acceptance forms rules, we smooth out the most deprived ideas and prioritize all threats as urgent. in theatres of conflict, repetition is grandeur. this translation officially makes mob landscapes familiar.

that’s why when your hands brushed against my sharpest edges: my heart, my gaze, my inordinate sense of danger; I felt intimacy performed as spacial intervention, an interlude. your fingers interrogated and found hard answers wrapped around tender legacy. we became undone. mapping unearned dreams onto each other’s gravitational pull, an attraction, we made our own stars.

future philosophers will discover these tensions and name them holy

transference

and where
did that love
I gave
go?

Hannah Höch, Bouquet Of Eyes, 1930

arousal is an anchor
like empathetic inquiry
or side show hustles

echoed relationships
redirected
form finds its subject

we commit to process
over outcome, again
shift to abundance of solutions

technically we are identical
with differences called out
our unconscious a shared language

the news repeats:
rot
patterns

it is a drowning
a baptism
an act of mercy