from above

If I tell you what I saw, will you believe me?

Colorado landscape

From above, I saw how the earth had moved without our knowledge. Valleys had given themselves up to dominating elevations. Prairies were scraped flat, a different testimony to what glacial change means.

From above, I thought about: identity, obscenity, serenity.

The work was to empower the privileged to speak on behalf of silenced and marginalized voices. Advocating inside the offices of Capitol Hill, DC is a right afforded to few.

There were not enough stories to validate identities instead there were infinite ways to reinforce obscenities like money spent on an individual is the best way to create systemic change or even though it hasn’t happened yet, it’s already happened.

My skills to dissociate, an effective strategy for appearing calm, positioned me to surrender. Feeling both my role as apostle and a shepherd, I embodied my entitlements and forgave myself for leading without conviction.

poetics of witness

photo by B
photo by B

The town where I was born has a museum that specializes in local history. The museum’s fame was ownership of a found prehistoric fossil. This piece of stone was remarkably well preserved, the spine of the evolved animal clearly intact. It turned out this grand jewel, this generational crowd pleaser, was actually a piece of broken feather from the statue of Sitting Bull, a Hunkpapa Lakota Sioux holy man.

Local assholes used to ram the monument with their pickup trucks knocking the bust of Sitting Bull’s head off its pedestal and they’d shoot into the Sacagawea monument for fun. We used to try to count all the bullet holes during those long summers we were lucky enough to visit my grandparents.

Grandma Nancy and Grandpa Pinky’s ranch was only a few miles from the monuments. Their house was a special and magical place. There were lamps that turned on by touching plant leaves and a dining table that was the go-to place to listen to the reporting of current events and visions of the future.

I remember summers where cousins divided themselves along the intractable wedge of Boy George’s sexuality while Bruce Springsteen’s Born in the USA blared from the back of pickup trucks that drove too fast down roads that were tire ruts imprinted on the rich prairie soil. We saw monsters rise from ponds and were oblivious to the violence around us.

I want to tell my dying grandfather that I will never forget that burned cowhide is the smell of money. I want to tell him that his house was a refuge, a site of culture and learning about a world larger than I could imagine. I want to ask him if he remembers the fossilized feather and if he heard any of those shootings.