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Archive for the ‘art’ Category

stepping up to the mic

distance equals power

unbearable lightness of being

courage takes practice

double entendre

Walking around DC, lost but generally in the right direction, allowed me to settle back into my bones. I recall the room you asked me to think about: yellow paint raised like Braille; its speech ready to be discovered through touch.

Judith Butler asserts, “the very terms by which we give an account, by which we make ourselves intelligible to ourselves and to others, are not of our making”.* This theory is comforting and forgiving. It allows for perception, which is shaped by unconscious distortions. It means the first person narrative is always unreliable. This should not be seen as negative or even fatalist, nor submissive. It’s obvious which is why it is shocking. I am not who I was yesterday.

I think about memories and where I store them. Some have leached back into my consciousness despite the high security barriers I placed around them. Others have settled into the rhythmic beat of my heart, my speech, and my ways of knowing. Many have been crushed into the mortar that binds me.

I remind myself that I feel for a reason.

__________

* Judith Butler, Giving an Account of Oneself

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authentic self

Vivian Maier

Obsessions can lead to discovery.

Occupations are multiplying into factions.

Quests for authenticity are universal.

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seducere

The ecstasy of discovery:

Evelyne Axell:  ”Evelyne Axell lived her art like a destiny, violently dramatic, demanding, absolute. Through it she has left us the breath of life, a life which she rode bareback like an Amazon.”

Theresa Sapergia: “Her work uses sentimentality, sincerity and humor to call into question contemporary art’s current relationship with irony and distancing.”

Hannah Arendt: “According to Arendt, our capacity to analyze ideas, wrestle with them, and engage in active praxis is what makes us uniquely human.”

Erotomobile, Evelyne Axell

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artist: william dohman

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Tear Jerker

There are beautiful things in the world. I think I may have fallen in love.

Breakfast, as we demised, was glaring. You are right. The transparency of the glass ceiling is obvious.

artist: Carolin Loebbert

Today’s word: tears

Conservative white men assert their rebel yells and women weep. We shouldn’t be surprised that with the rise of neopatriarchy the front page of the New York Times has an article about menstruation and women’s libido.

Dorothy Parker said, “Lips that taste of tears, they say, are the best for kissing”.

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V

Le Corbusier II, Ofer Wolberger

Practicing what you preach is hard. That’s why most people end up preaching.

Life With Maggie by Ofer Wolberger effectively conveys that feeling of  living a life in which you mask yourself, not for any sinister reason but rather that just seems to be the status quo of our oppressive culture. Wolberger’s images are innocent yet curious. They reflect a hyperreality.

It’s been a week of exhilarating explorations. There is a wide gap between implementation and theory but that’s the fun and messy dance of exploring. The moment you realize that you don’t need to wear a mask is the moment when you know you’ve stumbled upon something really amazing. You’ve discovered new terrain and despite the risks, you bravely forge ahead. I can always put my disguise back on but it’s easier to breathe without it.

We may just be pixels but keeping a sharp focus will make this expedition a revolution.

__________________________________________________

It’s a good thing I’m on birth control. Apparently it’s making my gray matter grow which has definitely enhanced my awkward social skills but alas, it has not improved the memory recall.

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color and satellites

Railroad workers, 1943, Iowa (photo by Jack Delano)

Bound for Glory: America in Color is an amazing color photo archive of Americans from the Great Depression. Bound for Glory contains some of the only known color photographs taken during this era. They are beautiful. There is dancing, sleeping, learning, eating, working, and amazing blue skies. And no plastic.

It reminds me of my childhood. It was a childhood of sparse landscapes, hard work, dynamic adult dinner table conversations, and frequent moving to new desolate locations. It was a life lived in the middle of nowhere; nothing but your imagination to keep you from accepting the reality around you. I managed to transcend the endless boundaries before me.  Now I’m able to orbit other spaces and places while occasionally transmitting new data to those left behind. I am a satellite and looking for other astronauts.

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landscapes

artist: david carol, found via thesilverliningblog

Navigating pathways in spaces that have friction, tension, or whatever you like to call situations where you don’t belong.

Forty hours of meetings, forty more to go.

A laser focus on numbers (percentages, significant gains, deviations) ignores the subject. I can’t figure out if my level of tolerance has gone up or down and the original meanings for both.

I thought it was a scientific fact that if you focus, you lose the bigger picture.

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Louise Bourgeois RIP

Louise Bourgeois

Louise Bourgeois & 'Sleep II'


Louise at Chelsea home_2007

Louise Bourgeois has passed away at the age of 98.  She was amazing, unique and always inspiring. If you haven’t seen the documentary, Louise Bourgeois: The Spider, The Mistress, and The Tangerine, you should.

There are many reasons to adore Louise. Two of them being her fierce independence and unflinching honesty.

The first time I heard about Louise and saw her sculptures was the Spider exhibit in 2002 in Cleveland, OH. I wish I had taken pictures and paid more attention to their installation.  They were beautiful and haunting on the dead streets of downtown Cleveland. They stuck with me in more ways that I realized.

“To Bourgeois, the relationship of one person to another or others is all important, and life has little value without it. This relationship, which she calls the toi et moi – or the ‘you and me’ – is usually experienced as suffering, yet it is the only thing worth living for.” – Louise Bourgeois: Drawings & Observations

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artist: Lorena Vigil-Escalera, found via design work life

artist: Rob Mongomery, found via girlafraid

artist: Sarah Small, found via 1000 words photography

Happy Mother’s Day!  And even happier day to those of us who choose not to birth or be restricted by our wombs.

Gail Collins’ Op-Ed column in last week’s New York Times, What Every Girl Should Know, is a stark reminder of how precarious our happiness is and how we all need to be advocates for our choices, lest they be made for us.

Sometimes it feels like change is glacial.  Yet it’s only been 50 years that the birth control pill was approved by the FDA, 45 years since married women were prescribed the pill, 36 years since single women could gain access to the pill, and it’s only been 37 years since abortion was codified. It can seem like menstruating women are measuring time by trimesters and months.

We often forget that transforming the cultural landscape is a modern project of progress. We assume that we can map out all the complexities of change and have thousands of theories of action to document these assumptions.  But this is a project where constant change is the chorus and trying to interpret the illogical can become an obsession. What we choose to focus on and obsess over matters greatly because if change is the constant, you may find yourself looking back and not recognizing where you came from.

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follow through

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replaced rust with free spirit.

long distance communications wrapped up with:

“it takes balls not to have an abortion”.

the prelude of a non-spontaneous purchase of a 24 pack of colored pencils

to make it myself.

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ownership

you know you’re not owned because you are happy.

happiness is constructed.

light is reflected back on you.

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You know you’ve had an interesting week when you start and end with two profound comments about assholes.

The beginning of week started with a conversation about life’s eternal struggle – finding a job that satisfies.

One person’s perspective on the dream job:

  • work on projects you love
  • avoid assholes
  • get paid enough to travel to far off lands

~~~~~~~~~~~~

The end of the week was enlightened by a Kiki Smith lecture.  A lecture of casual f-bombs (feminism), deconstruction, self-determination, changing forms (drops: blood to rain to milk), animal hair, fighting like hell to not be culturally owned, flipping meaning, and embracing then utilizing contradictions. Kiki Smith called herself a “self-righteous asshole”. She was irreverent and brilliant.

~~~~~~~~~~~~

Strengthening the power of interpretation, having the courage to envision, and demanding to be dynamic in a static culture, these are a few things on my to-do list.

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Loving the Straight Line

“Paintings speak for themselves,” said Carmen Herrera. Geometry and color have been the head and the heart of her work, she added, describing a lifelong quest to pare down her paintings to their essence, like visual haiku. Shown here, “Blanco y Verde” (1966), a canvas of white interrupted by an inverted green triangle.


Margaret Kilgallen said, “I like things that are handmade, and I like to see people’s hand in the world, anywhere in the world; it doesn’t matter to me where it is. And in my own work, I do everything by hand. I don’t project or use anything [mechanical], because even though I do spend a lot of time trying to perfect my line work and my hand, my hand will always be imperfect because it’s human. And I think it’s the part that’s that’s interesting…that’s where the beauty is.




{five years, one hundred seventy five posts later}

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Gillian makes amazing movies – smart, funny, and real.

Obvious Child from Gillian Robespierre on Vimeo.


Found via Bitch, whom I also heart.

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The modern supermarket in the heartland of america. June 2009

A recent “vacation” to my home state yielded this Lebowski moment (photo above).

The trip was a desperate search for non-existent conveniences, engaging in constructed social rituals, and fighting the exhausting battle of biting of one’s tongue. There was love, true, and ultimate satisfaction in remaining true to my belief that I will never get married.

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Global Warming?


It is so hot that I searched for the best winter photo I could find. Thanks to E. Atlee Gore for this pleasantly refreshing memory.

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